Arty: Jurnal Seni Rupa starting in 2024 migrates to better secure from various unwanted things, including journal hacking and so on. To submit, the author please visit the new website page of our journal at the link https://journal.unnes.ac.id/journals/arty MIGRATION OFFICIAL STATEMENT HERE Since the format of the ARTY journal has been changed to English, all authors are expected to make a manuscript in accordance with the specified provisions, further details can be downloaded in the download column and manuscript template, or can be downloaded here. Arty: Jurnal Seni Rupa focuses on the research of visual art studies through the experiences exchange among educators, artists, and researchers. Its primary goals is to promote quality research on conceptual ideas, studies, application of theories, and visual art reviews. Published every four months (3 times a year) by Jurusan Seni Rupa Universitas Negeri Semarang of Indonesia with registered number ISSN 2552-7516 (print), ISSN 2721-8961 (online). Contributions may encourages the following types of articles which are completed research papers, student papers (research done by students), and case studies. Abstracting & Indexing Garuda-Garba Rujukan Digital DOI by CrossRef Sinta (Science and Technology Index) Proquest
ANXIETY DISORDER AS AN INSPIRATION FOR CREATING PAINTINGS
This article explores how anxiety disorder functions as a conceptual and emotional foundation in contemporary painting, particularly within the artist’s personal creative practice. The study examines how persistent worry, social discomfort, emotional sensitivity, and intrusive thoughts can be transformed into symbolic visual elements through a studio-based method. By observing internal emotional experiences and translating them into sketches, compositions, and painterly experimentation, the artworks reveal expressive figures, confined spaces, repeated eye motifs, and contrasting color arrangements that reflect the complex psychological atmosphere of anxiety. The findings demonstrate that painting becomes not only a medium for aesthetic expression but also a reflective and therapeutic space where internal conflict can be processed, reinterpreted, and communicated. This research concludes that anxiety disorder can enrich artistic creation by generating emotionally charged visual narratives that resonate deeply with both the artist and the audience.
Copyright (c) 2025 Arty: Jurnal Seni Rupa
DESIGNING THE IDENTITY OF THE VISUAL ART CENTER PURWOREJO AS A VISUAL COMMUNICATION MEDIUM
Purworejo is a regency in Central Java that has one of the tourism and creative economy sectors that carries the concept of heritage and sustainability, namely the Art Center. The Art Center is a means of education, conservation, and showroom for all artists in Purworejo Regency. However, its visual identity has not been optimal until now. Therefore, design is needed to create a strong and consistent visual identity to support the image of the creative area at the regency level and in line with SDGs point 11, namely sustainable cities and communities. This research uses the design thinking design method with the stages of the process of emphatize, define, ideate, prototype and test with Charles S Pierce's semiotic analysis. The main idea of ​​the design comes from the local potential of Purworejo, namely the Kaprajan Batik motif which is applied to the main media in the form of a Graphic Standard Manual. Through this design, it is expected to be able to create an attractive visual identity and foster visitors' interest in coming to the Art Center.
Andreas Slamet Widodo Andreas Slamet Widodo
STUDY OF MURAL ART STYLE IN PUBLIC SPACES OF THE HYSTERIA COMMUNITY IN SEMARANG
This study aims to analyze the style, values, meaning, and educational function of the mural works of the Hysteria Community in public spaces in the city of Semarang, while also examining the public's acceptance of the social messages conveyed through these murals. A qualitative approach was used through observation, interviews, and documentation of two major works: "Tulang Lunak Bandeng Juwana" (2024) and "Doa Kuat!" (2025). Roland Barthes' semiotic analysis was used to interpret denotative and connotative meanings, while John Fiske's theory assessed how visual elements work at the levels of reality, representation, and ideology in shaping public understanding. The results of the study show that Hysteria utilizes local cultural symbols, visual metaphors, and color compositions to present communication that is not only aesthetic but also educational through a process of social awareness (PSR). Messages about adaptation, resilience, solidarity, and self-reflection are presented to encourage public engagement in understanding the dynamics of the city and the social issues that are inherent to it. Both murals serve as a medium for social learning that strengthens Semarang's cultural identity and builds a dialogical relationship between artists, the community, and public spaces.
ILLUSTRATED STORYBOOK TO IMPROVE TEENAGERS’ UNDERSTANDING OF FUTURE CAREER ASPIRATIONS: A SYSTEMATIC REVIEW
Planning a future career according to one's desires and skills is a hope for many people. This study was conducted to systematically review what influences adolescents in planning their future careers and whether illustration-based books can be a medium that can help them in achieving success in future career planning. The method used was a Systematic Literature Review (SLR) with reference to the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) guidelines with data sources originating from international publishers and resulting in 51 articles that meet the inclusion and exclusion criteria. The results of the review found that future career planning is influenced by various factors both internally and externally, both of which have the same line in influencing motivation and emotions in individuals. Technology-based counseling guidance is needed, and interactive digital books can be a medium in conveying information in a fun way. Further research is recommended to focus more on emotions by designing fun interactive digital book media to increase adolescents' confidence in future careers that suit their desires.
CREATION OF ECO-ART BASED ARTWORKS USING LOCAL BAMBOO MATERIALS IN SEMARANG
Bamboo is a primary raw material in Indonesian society. Bamboo is used for everyday needs because it is easy to process. Bamboo is one of the most frequently used raw materials in rural communities. Bamboo needs to be utilized and processed more optimally. This is in line with the conditions in Plalangan Village, which has abundant bamboo reserves. Research on bamboo-based products requires alternatives. The purpose of creating this artwork is to find the best option for processing bamboo into other alternatives to maximize the product. One solution is to make bamboo-based products using weaving techniques. This is important as the main capital so that the artwork/product can be included in the management of surrounding natural resources. The methods used in creating this work are reflection, exploration, elimination, realization, and awareness. The techniques used are cross weaving with a choice of square, pentagonal, and hexagonal shapes. These techniques can be used to form tubes, cubes, or other shapes according to product needs, such as living room and bedroom lamps, displays, or contemporary installations.
THE ROLE OF GRAPHIC DESIGN IN STRENGTHENING URBAN ART BRANDING IN THE SOLO IS SOLO ART COMMUNITY
This study examines the role of graphic design in strengthening identity with urban art styles in the Solo Is Solo community in Solo City. In the context of acculturation of modern culture and local traditions, graphic design serves as a visual communication medium that articulates the vision, mission, and unique character of the community through elements such as logos, murals, typography, and digital content. The research method is qualitative descriptive with an in-depth analysis of artworks that reflect the character of urban art. The results show that graphic design not only strengthens the identity of the community internally as a forum for solidarity, but also builds positive recognition and perception in the eyes of the wider public. Graphic design acts as a creative bridge that connects Solo's cultural traditions with modern styles of expression, maintaining cultural relevance through innovation and attractive aesthetics in public spaces. The application of graphic design in urban art also enriches the aesthetic value of the city while opening up opportunities for the development of cultural tourism. This research emphasizes that graphic design is a strategic tool that supports the sustainability and existence of the urban art community in the ever-evolving socio-cultural dynamics. These findings can serve as a reference for other art communities in building a strong and sustainable visual identity.
THE USE OF CEMENT PAPER IN THE CREATION OF BANYUMAS STYLE WAYANG PURWA PUPPETS FOR THE STORY OF GATOTKACA'S BIRTH
The study project entitled “Utilization of Cement Paper in Making Wayang Purwa Gagrag Banyumas in the Gatotkaca Born Story” aims to introduce to the public that alternative materials for making puppets can utilize cement paper and introduce one of the stories in the puppet character Raden Gatotkaca. The form of wayang with Banyumas gagrag which is rarely used in wayang performances is one of the efforts to preserve the Banyumas gagrag. The author took the initiative to visualize the portrait of the character in the Gatotkaca Lahir story in the wayang purwa artwork. In visualizing the subject, the author focuses on the form of puppets that are specially made using tatah and sungging techniques. The author chooses to utilize alternative cement paper waste as a form of environmental conservation. Twelve works are presented with titles including: Raden Werkudara, Dewi Arimbi, Jabang Tetuka, Dewi Suprobo, Sang Hyang Manikmaya, Sang Hyang Narada, Sang Hyang Indra, Sang Hyang Bromo, Raden Gatotkaca, Kresna, Naga Pracona, Patih Sekipu.
MULTICULTURAL LEARNING THROUGH CALLIGRAPHY ART CLASSES AT THE PIJI WETAN CULTURAL VILLAGE
This study aims to analyze multicultural learning through calligraphy art in Piji Wetan Cultural Village, Kudus, Central Java, and examine its influence on local cultural identity. The approach used is qualitative with a case study method, where data is collected through observation, in-depth interviews, and documentation. The results of the study indicate that the process of learning calligraphy art in Piji Wetan Cultural Village is carried out inclusively and involves various levels of society, from children to adults. This learning does not only focus on Arabic calligraphy writing techniques, but also integrates religious values and local art elements. The resulting works reflect a harmonious blend of Islamic calligraphy art with traditional Kudus decorative patterns and motifs. These works demonstrate the innovation of students in combining local motifs with calligraphy art without eliminating the authenticity of the writing character. Calligraphy art in Piji Wetan Cultural Village plays an important role in preserving local cultural identity through cross-cultural teaching, which not only enriches calligraphy art aesthetically, but also strengthens understanding and appreciation of culture and religion. The influence of learning calligraphy art is seen in the formation of a stronger local cultural identity, increased creativity of the younger generation, and pride in local artwork. In conclusion, the art of calligraphy in Piji Wetan Cultural Village has succeeded in becoming an affective multicultural learning medium, which not only emphasizes the artistic aspek but also strengthens the community’s relationship with their cultural heritage.
DESIGNING A MASCOT FOR PT. ARTERIA DAYA MULIA CIREBON CITY
Arteria Daya Mulia is a fishing net manufacturing company established in 1982 in Cirebon. In the face of the challenges of globalization and market competition, companies need more modern visual strategies to strengthen brand identity. This research designs mascots as an effective visual communication medium through the IDEO (Inspiration, ideation, implementation) design thinking model. Mascots are designed to represent the company's core values such as quality, strength, and loyalty, while also increasing employee engagement and brand appeal. Implementation is carried out through merchandise media such as t-shirts, hats and totebags to expand market reach and build the company's image. The results show that appropriately designed mascots are able to increase brand awareness, strengthen visual identity, and become a strategic communication tool between companies and audiences.
ANALYSIS OF THE SYMBOLIC ATTRIBUTES AND TIFO OF LA GRANDE INDONESIA IN THE INDONESIA NATIONAL TEAM VS BAHRAIN MATCH AT GELORA BUNG KARNO STADIUM IN 2025
This study examines the role of qualitative methods and semiotic analysis in investigating the symbolic attributes and tifos created by La Grande Indonesia (LGI) during the Indonesia vs. Bahrain football match on March 25, 2025, at Stadion Gelora Bung Karno, with a focus on conveying messages of national identity, supporter solidarity, and patriotism. Employing Roland Barthes’ semiotic framework, the research analyzes primary data from direct observations, photographic documentation, and Instagram content from official LGI and illustrator accounts, supplemented by secondary data from academic literature and media archives. Key visual elements, including the Garuda symbol, the colors red and white, and banners such as “Garuda Fly Alone, Bulbuls Flock Together” and “Jaya Raya Indonesia,” were decoded across denotative, connotative, and mythic levels. The findings reveal that the Garuda symbolizes national strength and independence, while collective displays of flags and tifos foster a sense of solidarity among supporters. The “Jaya Raya Indonesia” banner, tied to a 1-0 victory, reinforces a mythic narrative of national pride and love for the homeland. Triangulation of data sources ensured validity, confirming that these symbols and attributes serve as powerful communicative tools that extend beyond aesthetics to embed cultural values within the sporting context. The study concludes that semiotic analysis effectively uncovers the deep meanings embedded in tifos and banners, highlighting their role in mobilizing nationalistic sentiments and collective identity among Indonesian supporters. This approach highlights the importance of qualitative methods in examining the sociocultural aspects of sports, providing insights into how visual symbols shape and reflect national consciousness in competitive contexts.
VISUAL RRESENTATION OF RIVER POLLUTION AND GLOBAL WARMING IN ENVIRONMENTAL ADVERTISMENT: BASED ON ROLAND BARTHES' THEORY
This study explores the visual representation of river pollution and global warming in advertisements related to natural ecosystems, using Roland Barthes’ semiotic framework. It focuses on how visual signs, such as polluted water, industrial smoke, melting ice, and vulnerable human figures, construct layered meanings that extend beyond their literal appearances. Through denotation, connotation, and myth, these elements convey urgent environmental messages while embedding cultural narratives and emotional appeals. The environmental issues raised in these advertisements not only depict the impact of ecological destruction but also reflect the tension between destructive human activities and the need for ecological balance. Such visualizations demonstrate how visual media play a significant role in shaping public awareness of environmental issues and encouraging changes in attitudes toward the natural world. Using a qualitative descriptive method, this research analyzes selected digital campaigns to understand how advertisements build ecological awareness and construct the myth of restoring harmony between humans and nature, ultimately aiming to strengthen collective responsibility for environmental sustainability.
Representation of Sacracy and Monumentality in the Architectural Transformation of Mandara Giri Agung Semeru Temple through Brick Tectonics (Case Study: Lumajang Hotel)
With an emphasis on the integration of local cultural elements into contemporary spatial composition, this study explores the transformation of vertical forms and rhythmic patterns from the architecture of Pura Mandara Giri Semeru Agung into the interior design of Hotel Lumajang through brick tectonics. The design was focused on two primary areas: the lobby and the suite unit. A practice-based design research method was employed to develop a design prototype representing sacred, monumental, and aesthetic impressions. User perception was evaluated using a 5-point Likert scale questionnaire administered to 50 respondents, covering three main dimensions. The results indicated that the Sacrality dimension achieved an average score of 3.68; Monumentality & Cultural Values scored 4.02; and Visual Aesthetics scored 4.15. These findings suggest that the brick tectonic elements effectively conveyed a strong and positive spatial impression, particularly in terms of monumentality and visual aesthetics. This study affirms the potential of brick tectonics as a medium for cultural representation in interior decorative elements, enriching meaningful spatial experiences in contemporary public space.
AESTHETICS OF JOURNALISTIC PHOTOGRAPHY BY WAHYU ADJI FEBRIANTO IN INSTAGRAM RADAR KEDIRI MAY – JUNE 2025 EDITION
This research on photography focuses its study on the works of Wahyu Adji Febrianto collected in online news portals with the aim of describing the types of photography and aesthetic values in Wahyu Adji Febrianto's photographic works. This research is a qualitative descriptive study with data collection techniques used are documentation, bibliography, and triangulation techniques. The results of the study show that all of Adji's photographic works have or contain elements, principles, and principles of art so that they have aesthetic value in them. The types of journalistic photography that are pursued and almost always present in every news photo coverage by Wahyu Adji Febrianto are spot photography, people in the news, and sports. The aesthetic value of Adji's journalistic photography leads to the application of elements of art, principles of art, and principles of art. For the elements of art, there are elements of line, elements of color, and elements of space. For the principles or basics of art, there are the principles of contrast and the principle of rhythm. Meanwhile, for the principles of art, the photojournalist named Adji successfully applies four principles, namely the principle of unity, balance, proportion, and the principle of simplicity. The value of beauty adds to the attraction because in general journalistic photos always prioritize speed in covering news and photos.
Aesthetic Representation of the Character Values of Tolerance and Nationalism in Chinese-Motif Batik Lasem
This study explores the aesthetic representation of tolerance and nationalism as character values embedded in the visual elements of Chinese-motif Batik Lasem. As a cultural artifact rooted in a history of intercultural exchange, Batik Lasem reflects not only artistic beauty but also deep social and moral meanings. Using a qualitative descriptive approach, this research employs visual analysis to examine the formal elements—such as color, shape, composition, and symbolism—found in selected Chinese-influenced Batik Lasem patterns. The findings reveal that the fusion of Chinese and Javanese visual motifs embodies messages of cultural harmony, mutual respect, and national identity. The aesthetic choices made by artisans—ranging from symbolic flora and fauna to harmonious compositions—serve as a medium to communicate values of tolerance and national pride. This study contributes to the field of visual communication design by demonstrating how traditional art forms can function as effective channels for character education and interethnic understanding through visual aesthetics.
User Interface/User Experience Design of Le Mans 24 Hours History Website for Motorsport Education.
Access to Le Mans 24 Hours endurance racing history content faces limitations in a more structured and comprehensive digital format, although in practice Le Mans 24 Hours brought many innovations and technologies to commercial cars. For example, the book Le Mans: A Century of Passion that archives the 100-year history of Le Mans has only 2500 copies produced, making it out of reach for many. The purpose of this project is to design a user interface (UI) and user experience (UX) website to present comprehensive information about the history of Le Mans 24 Hours as an educational medium. The method used in this study project is a Design Thinking approach with a Design Sprint framework consisting of five stages: Understand, Diverge, Converge, Prototype, and Testing. Then produce a prototype of the "Memories du Mans" website that displays historical content, innovations, figures, and iconic cars at Le Mans 24 hours divided into 8 types of pages. Usability Testing results on 16 respondents showed a 100% task success rate, but some pages and tasks had a high percentage of misclick rate, >67% on the car page and averaage duration >106s. This study shows how important it is to apply UI/UX principles in designing an educational platform.
Designing Posters of Palembang’s Culinary Specialties as a Medium for Education on History and Local Cultural Identity
Traditional cuisine plays an important role in strengthening history and cultural values for public awareness, especially amidst the tide of globalization that erodes local cultural identities. The design of posters featuring traditional Palembang cuisine as a medium for historical education to visually and informatively introduce its diversity to the younger generation. Typical Palembang cuisine such as pempek, tekwan, model, lenggang, laksan, and burgo not only serves as a consumption necessity but also represents the acculturation of Sriwijaya, Malay, and Chinese cultures. The method used in designing the Palembang culinary poster is the design thinking approach, which consists of five stages: empathize, define, ideate, prototype, and test. Data was obtained through observation, interviews, questionnaire distribution, and literature study. The results show that the posters designed with a contextual visual and narrative approach can serve as a communicative and meaningful non-formal educational tool. The poster features local visual elements, such as the traditional Palembang songket fabric motifs, the Ampera Bridge, local cultural tourist destinations, and is disseminated through social media to reach a wide audience. These findings indicate that visual media are not only effective in introducing the diverse culinary offerings of Palembang but can also strengthen cultural identity and continuously preserve intangible cultural heritage.
ANALYSIS OF NATURALISM PAINTING IN BASUKI ABDULLAH’S WORKS USING FERDINAND DE SAUSSURE’S SEMIOTIC THEORY
Basuki Abdullah is a maestro painter from Indonesia who is a naturalist and realist. His work represents elements of natural and cultural beauty that are presented beautifully. This research aims to analyze the concepts or ideas and meanings contained in the work, including the color elements chosen so that they can form a portrait of the beauty of natural paintings. This research uses a qualitative method with Ferdinand de Saussure's semiotic theory approach which focuses on a sign and the related relationship between the signifier and the signified to reveal the hidden messages in the work. The results of the analysis show that Basuki Abdullah's works are able to bring out aesthetic values ​​in the landscape of natural beauty in Indonesia. This research provides further insight into the presentation of naturalist works of art by incorporating local elements into fine art elements while still highlighting their aesthetic value.
FORM AND SYMBOLIC MEANING OF THE “SUBAMA BATIK” BATIK MOTIF BAJING KULON VILLAGE KROYA DISTRICT CILACAP REGENCY
Batik is a cultural heritage that has deep aesthetic and symbolic value. This research aims to analyze the form and symbolic meaning of batik motifs produced by "Subama Batik", which is located in Bajing KulonVillage, Kroya District, Cilacap Regency. Subama Batik has various unique motifs and is rich in local wisdom values. This research uses a descriptive qualitative approach with data collection techniques through observation, interviews and document study. Data analysis uses data reduction, data presentation, drawing conclusions, and verification. Based on the research results, it was found that (1) The motifs produced by "Subama Batik" were inspired by flora, fauna, natural objects and life around the environment of Bajing Kulon Village, Kroya District, Cilacap Regency. The motifs created include Jambu, Ngasem, Laptu, Cassava, Nusakambangan, Srrandil, Turtle, Bamboo, Wijayakusuma, Lotus Flower, Mangrove, Hibiscus, Jellyfish, Nusakambangan Pola, Garuda Wijayakusuma, and Marine Biota motifs. (2) Every batik motif produced by "Subama Batik" has a distinctive shape and has a deep symbolic meaning, related to the culture, history and life of the surrounding community. (3) "Subama Batik" motifs, such as the Jambumotif, Ngasem motif, Laptu motif, and others, contain messages about togetherness, tolerance, historical values, and local wisdom passed down from generation to generation. This symbolic meaning is reflected in the shapes and other elements in batik, which reflect the harmonious relationship between humans, nature and local culture.
COMIC STRIP AS FINANCIAL LITERACY MEDIA: AUDIENCE PERSPECTIVES IN UNDERSTANDING INFLATION ISSUES
Financial literacy is a crucial aspect of modern life. However, the younger generation often faces difficulties in understanding economic concepts. Comic strips come as an alternative media that is easier to access and understand, utilizing a combination of visuals and narration to convey information more effectively (Paivio, 1986). This study aims to assess the effectiveness of comic strips as well as the level of audience understanding of financial literacy. Using a qualitative approach with a case study method, this research analyzes audience acceptance of inflation-themed comic strips published through various digital platforms. Data was collected through observation, content analysis, and in-depth interviews with audiences who have read the comic strip. The results show that comic strips are effective in improving basic understanding of inflation, as they are able to simplify complex economic concepts. This is in line with McCloud's (1993) research, which states that comics can increase emotional engagement and appeal. However, the study also found that comic strips have limitations in conveying more in-depth information related to the technical aspects of inflation. This opinion is supported by Huston (2010), who asserts that optimal financial literacy requires a combination of various sources of information to achieve a more comprehensive understanding. Thus, this study contributes to the development of visual media-based financial literacy strategies.
INTRODUCING ANCIENT EGYPTIAN HISTORY THROUGH EDUCATIONAL GAMES : A CASE STUDY OF ARCHEOLOGIST ANCIENT EGYPT
Indonesian art has a rich and varied heritage, but in the current modern era, traditional art faces challenges to maintain its relevance. In the midst of the dynamics of social, economic and cultural change, artists and practitioners or art enthusiasts are starting to look for new ways to update things so that they become better or function optimally again and apply traditional arts in today's context. This study explores how traditional arts such as shadow puppetry, batik, masks, and other traditional performing arts are adapted, updated, and applied in various contemporary contexts. Through observations with artists, field research, and literature analysis, researchers identified various strategies and approaches used by artists in facing these challenges. This research aims to conduct a review of traditional Indonesian art practices and contemporary innovations that have emerged in their application today. The method used is descriptive qualitative and the study results show that there are various ways in which traditional art in the archipelago is revived, one of which is through interdisciplinary collaboration, integration of modern technology, educational and participatory approaches, as well as an emphasis on local values ​​and sustainability. The conclusion of this study is that Indonesian art remains a rich and relevant source of inspiration in facing challenges and opportunities in the world of contemporary art. This study makes an important contribution to understanding the application of traditional art in the archipelago to contemporary innovation.
ART AS A MEDIUM OF DELIBERATION: A CASE STUDY OF PUBLIC SPACE UTILIZATION BY THE TARING PADI COMMUNITY
This study examines the role of art as a medium of deliberation in public spaces through a case study of the Taring Padi art community in Yogyakarta. Using a qualitative approach and a case study method, the research involved observations, in-depth interviews, and document analysis. Findings reveal that the Taring Padi community utilizes visual arts such as murals, posters, and billboards to voice social, political, and environmental issues, as well as to advocate for public rights. Through collective work, thematic discussions, and collaboration with local communities, the group creates inclusive and democratic public spaces aligned with the principles of deliberative democracy. Art serves not only as an aesthetic expression but also as a catalyst for social change, strengthening solidarity among marginalized communities. This research contributes to the literature on art, public spaces, and democracy by proposing an art-based advocacy model relevant to equitable development.
REPRESENTATION OF VINCENT VAN GOGH'S ARTWORK IN THE CREATION OF YARN MEDIA PAINTINGS
Vincent van Gogh, a Dutch post-impressionist painter, is famous for his emotionally expressive style, striking use of bright colors, and thick brushstroke technique that gives his works dimension. Van Gogh's works such as Starry Night became icons of world art and inspired many contemporary artists. This research aims to explore the representation of Van Gogh's artwork through the medium of thread in painting. By using an experimental approach and qualitative method. The experimental approach is done by creating thread-based artworks that represent Van Gogh's visual elements, such as expressive strokes and bold contrasting colors. The expected result of this research is the creation of thread media paintings that can re-illustrate the power of expression and visual dynamics found in Van Gogh's works.
REPRESENTATION OF MINANGKABAU CULTURAL VALUES IN THE DESIGN AND MOTIFS OF TAROMPA DATUAK
This study examines how Minangkabau cultural values ​​are represented in the design and motifs of tarompa datuak, which are traditional footwear worn by traditional figures in traditional events. The problem discussed is how the visual symbols of tarompa datuak reflect the traditional wisdom and social values ​​of the Minangkabau people amidst the threat of modernization to their culture. This study uses qualitative methods and an ethnographic approach. This includes interviews with craftsmen and direct observation. The results of the study show that the traditional designs and motifs of tarompa datuak, such as variations of the tarompa datuak design and one of the motifs that is often used, namely the Itiak Pulang Patang motif, which philosophically symbolizes order, togetherness, and local wisdom, illustrate the importance of maintaining harmony and returning to the origin in community life. Not only to beautify, but also to symbolize courage, wisdom, and spirituality that reflect cultural identity. Tarompa datuak is a symbol of culture and a cultural education tool that shows the importance of tradition in the life of the Minangkabau people.
NUSANTARA ARTWORK AND ITS APPLICATIONS: A REVIEW OF TRADITIONAL ART PRACTICES AND CONTEMPORARY INNOVATIONS
Kemampuan Remaja dalam Lukis Abstract berbasis Art Therapy sebagai Upaya Menjaga Kesehatan Mental
Remaja di Indonesia menjadi perhatian utama dalam kesehatan mental. Generasi yang disebut Gen-Z dimungkinkan mengalami depresi dan sedikit minat dalam melakukan sesuatu hal. Menyendiri merupakan jalan terbaik yang diambil sebagai jalan akhir. Karena IPTek (Ilmu Pengetahuan dan Teknologi) sekarang ini berkembang pesat dengan kemudahan yang didapat melalui Handphone. Aktivitas berkesenian yang menjadi titik dalam penyelenggaraan penelitian ini. Sebagai upaya, membuat kesibukan bersama agar lebih berkualitas mengenal diri sendiri dan orang sekitar sebagai solusi yang dapat ditawarkan. Pendekatan yang digunakan Fenomenologi. Kekuatan pada observasi, dokumentasi dan wawancara menjadi poin utama untuk membangun remaja menyalurkan emosi pada karya lukis. Penelitian ini tidak menjamin sembuhnya seseorang terhadap kesehatan mental yang dihadapi. Fokus lebih pada proses pencegahaan. Hasil yang diharapkan yaitu proses yang dilakukan sebagai tempat berbagi pengalaman mengalami, pemahaman, pengetahuan, dan keterampilan berkarya agar bisa lebih bervariasi. Sehingga, diharapkan dapat menjadi sebuah pembangkit dalam aktifitas art therapy
Copyright (c) 2024 Arty: Jurnal Seni Rupa
Peranan Analisis Elemen Logo dan Visual Identitas dalam Pembangunan Brand: Studi Kasus Aksara Buana
Abstrak ___________________________________________________________________ Logo adalah bagian dari visual identitas yang dimana sebagai penanda dari merek atau brand perusahaan tersebut. Kita ketahui orang di masa lampau sudah menggunakan logo sebagai alat beribadah dan bersembahyang. Selain itu logo juga dipakai sebagai penabda keluarga dan lalu dipakai di perusahaan untuk brand dan merek mereka. Disini logo beririsan dengan visual identitas karena tannpa visual identitas logo maupu company profile tidak bisa dibuat sesuai kemauan client. Penelitian ini bertujuan untuk menganalisa elemen elemen logo yang dipakai dalam logo Aksara Buana selain itu pentingnya kosistensi dan juga keselarasan yang dimana menciptakan brand butuh visual yang dapat diingat audiens. Dalam penelitian ini juga menemukan bahwa desain modern lebih mengutamakan kesederhanaan dan fleksibilitas dalam pemakaian di berbagai platform. Abstract ___________________________________________________________________ A logo is part of a visual identity which is a marker of the company's brand. We know that people in the past have used logos as a means of worship and prayer. In addition, the logo is also used as a family marker and then used in the company for their brand and brand. Here the logo intersects with visual identity because without a visual identity, the logo or company profile cannot be made according to the client's wishes. This study aims to analyze the elements of the logo used in the Aksara Buana logo in addition to the importance of consistency and harmony which create a brand that needs visuals that can be remembered by the audience. This study also found that modern design prioritizes simplicity and flexibility in use on various platforms.
EDUKASI GIZI DAN NUTRISI UNTUK IBU HAMIL MELALUI BUKU ILUSTRASI
Status gizi yang baik sangat berpengaruh pada ibu hamil dalam kesehatan ibu serta perkembangan janin. Kekurangan nutrisi selama kehamilan dapat menyebabkan berbagai komplikasi, termasuk berat badan lahir rendah, kelahiran prematur, dan gangguan perkembangan janin yang mengakibatkan terjadinya kenaikan angka stunting. Pengetahuan dan pemahaman mengenai gizi yang baik perlu ditingkatkan melalui media edukasi yang dapat mendukung untuk memastikan bahwa setiap ibu hamil dapat memenuhi kebutuhan nutrisi mereka. Puskesmas Cibinong memiliki beberapa misi yang perlu direalisasikan, salah satunya yaitu dapat menurunkan kematian ibu dan anak melalui peningkatan upaya program kesehatan ibu dan anak berkualitas. Oleh karena itu, Puskesmas Cibinong membuat buku ilustrasi yang berjudul "Gizi dan Nutrisi yang Tepat untuk Ibu Hamil" yang dirancang sebagai media edukasi untuk meningkatkan pengetahuan ibu hamil mengenai gizi dan nutrisi yang tepat, sehingga dapat diaplikasikan dalam kehidupan sehari-hari guna mengurangi angka stunting pada anak sehingga dapat menurunkan angka kematian pada ibu maupun anak. Metode penelitian yang digunakan dalam proses perancangan ini adalah kualitatif deskriptif melalui pendekatan design thinking. Hasil dari penelitian ini adalah buku ilustrasi bertema colorful dengan gaya ilustrasi kartun dan menggunakan font minimalis, berukuran 21x18 cm serta memiliki 20 halaman yang dapat mengedukasi ibu hamil mengenai gizi dan nutrisi guna menurunkan angka stunting pada anak di wilayah Puskesmas Cibinong. Melalui perancangan buku ilustrasi edukatif ini, Puskesmas Cibinong diharapkan dapat mengurangi angka stunting. Dengan pendekatan yang menarik dan sesuai membuat ibu hamil merasa lebih nyaman dan memungkinkan mereka menerima informasi tentang gizi dan nutrisi secara efektif.
PERANCANGAN MEDIA PROMOSI BUKU CERITA BERGAMBAR “RAUNGAN MIRAH” KISAH HEROIK SINGA BETINA DARI MARUNDA
Cerita rakyat “Raungan Mirah” Kisah Heroik Singa Betina dari Marunda merupakan narasi budaya yang penting dan memiliki potensi besar untuk menginspirasi pembaca muda, terutama anak perempuan, melalui penekanan pada keberanian dan ketangguhan karakter perempuan. Perancangan media promosi buku cerita bergambar “Raungan Mirah” Kisah Heroik Singa Betina dari Marunda bertujuan untuk meningkatkan kesadaran dan minat baca anak-anak terhadap cerita rakyat Betawi, dengan fokus pada penggambaran sosok perempuan tangguh yang inspiratif. Melalui strategi promosi yang mencakup berbagai media seperti identitas visual, merchandise, dan materi promosi cetak, penelitian ini menemukan bahwa desain yang konsisten dan kreatif mampu menarik minat audiens muda dan memperkenalkan mereka pada nilai-nilai budaya lokal. Hasil penelitian menunjukkan keberhasilan media promosi ini dalam membangun kesadaran terhadap buku "Raungan Mirah" dan menginspirasi pembacanya.
PERANCANGAN BATIK TULIS SMOCK DENGAN SUMBER IDE AKTIVITAS GAJAH SUMATRA UNTUK PRODUK BUSANA OUTER.
Gajah Sumatra merupakan satwa Indonesia yang statusnya terancam punah akibat ulah manusia dan berdampak pada kegiatan harian Gajah Sumatra. Hal ini mendorong penulis untuk menggunakan aktivitas Gajah Sumatra sebagai inspirasi motif batik tulis dengan teknik pewarnaan smock yang jarang digunakan dalam batik tulis, untuk dijadikan produk busana outer yang sedang tren. Metode yang digunakan adalah Metode Desain Tekstil dari Nanang Rizali yang mengacu pada teori Collin Clipson, yang mencakup identifikasi masalah, analisis perancangan, proses kreatif, proses produksi dan distribusi pemasaran. Hasil dari perancangan ini adalah produk busana outer dengan motif aktivitas Gajah Sumatra menggunakan teknik batik tulis dan pewarnaan smock. Berdasarkan hasil perancangan tersebut, diketahui bahwa motif batik tulis dapat menggunakan inspirasi dengan sumber ide Aktivitas Gajah Sumatra dengan visual yang menarik dan pewarnaan smock untuk menambahkan nilai estetika dan keunikan visual pada produk busana outer.
PERANCANGAN DESAIN KARAKTER TOKOH PAHLAWAN NASIONAL WANITA SEBAGAI PENGENALAN TOKOH SEJARAH
Tercatat dalam data Direktorat Kepahlawan Keperintisan Kesetiakawanan dan Restorasi Sosial (K2KRS) Kementrian Sosial (Kemensos) bahwa Indonesia memiliki 206 pahlawan nasional pada tahun 2023, yang dimana 190 merupakan pria dan 16 merupakan wanita. Sayangnya masyarakat Indonesia kurang mengetahui pahlawan nasional khususnya pahlawan nasional wanita. Pada permasalahan ini dibutuhkan suatu media yang dapat memperkenalkan pahlawan nasional wanita Indonesia. Perancangan ini dilakukan dengan metode pengumpulan data dari kajian pustaka, dokumentasi, dan survei kuesioner. Kemudian metode analisis data yang digunakan adalah metode 5W+1H, yaitu what, where, when, who, why, dan how. Hasil dari perancangan ini adalah artbook sebagai media utama yang berisikan desain karakter beserta dengan informasi mengenai tokoh-tokoh pahlawan nasional wanita Indonesia, dan dua belas media pendukung yang berupa pin, gantungan kunci, pembatas buku, standee akriliki, note book, mug, thumbler, poster, x banner, stiker, photo card, dan kaos.