Arty: Jurnal Seni Rupa starting in 2024 migrates to better secure from various unwanted things, including journal hacking and so on. To submit, the author please visit the new website page of our journal at the link https://journal.unnes.ac.id/journals/arty MIGRATION OFFICIAL STATEMENT HERE Since the format of the ARTY journal has been changed to English, all authors are expected to make a manuscript in accordance with the specified provisions, further details can be downloaded in the download column and manuscript template, or can be downloaded here. Arty: Jurnal Seni Rupa focuses on the research of visual art studies through the experiences exchange among educators, artists, and researchers. Its primary goals is to promote quality research on conceptual ideas, studies, application of theories, and visual art reviews. Published every four months (3 times a year) by Jurusan Seni Rupa Universitas Negeri Semarang of Indonesia with registered number ISSN 2552-7516 (print), ISSN 2721-8961 (online). Contributions may encourages the following types of articles which are completed research papers, student papers (research done by students), and case studies. Abstracting & Indexing Garuda-Garba Rujukan Digital DOI by CrossRef Sinta (Science and Technology Index) Proquest
MULTICULTURAL LEARNING THROUGH CALLIGRAPHY ART CLASSES AT THE PIJI WETAN CULTURAL VILLAGE
This study aims to analyze multicultural learning through calligraphy art in Piji Wetan Cultural Village, Kudus, Central Java, and examine its influence on local cultural identity. The approach used is qualitative with a case study method, where data is collected through observation, in-depth interviews, and documentation. The results of the study indicate that the process of learning calligraphy art in Piji Wetan Cultural Village is carried out inclusively and involves various levels of society, from children to adults. This learning does not only focus on Arabic calligraphy writing techniques, but also integrates religious values and local art elements. The resulting works reflect a harmonious blend of Islamic calligraphy art with traditional Kudus decorative patterns and motifs. These works demonstrate the innovation of students in combining local motifs with calligraphy art without eliminating the authenticity of the writing character. Calligraphy art in Piji Wetan Cultural Village plays an important role in preserving local cultural identity through cross-cultural teaching, which not only enriches calligraphy art aesthetically, but also strengthens understanding and appreciation of culture and religion. The influence of learning calligraphy art is seen in the formation of a stronger local cultural identity, increased creativity of the younger generation, and pride in local artwork. In conclusion, the art of calligraphy in Piji Wetan Cultural Village has succeeded in becoming an affective multicultural learning medium, which not only emphasizes the artistic aspek but also strengthens the community’s relationship with their cultural heritage.
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ANALYSIS OF THE SYMBOLIC ATTRIBUTES AND TIFO OF LA GRANDE INDONESIA IN THE INDONESIA NATIONAL TEAM VS BAHRAIN MATCH AT GELORA BUNG KARNO STADIUM IN 2025
This study examines the role of qualitative methods and semiotic analysis in investigating the symbolic attributes and tifos created by La Grande Indonesia (LGI) during the Indonesia vs. Bahrain football match on March 25, 2025, at Stadion Gelora Bung Karno, with a focus on conveying messages of national identity, supporter solidarity, and patriotism. Employing Roland Barthes’ semiotic framework, the research analyzes primary data from direct observations, photographic documentation, and Instagram content from official LGI and illustrator accounts, supplemented by secondary data from academic literature and media archives. Key visual elements, including the Garuda symbol, the colors red and white, and banners such as “Garuda Fly Alone, Bulbuls Flock Together” and “Jaya Raya Indonesia,” were decoded across denotative, connotative, and mythic levels. The findings reveal that the Garuda symbolizes national strength and independence, while collective displays of flags and tifos foster a sense of solidarity among supporters. The “Jaya Raya Indonesia” banner, tied to a 1-0 victory, reinforces a mythic narrative of national pride and love for the homeland. Triangulation of data sources ensured validity, confirming that these symbols and attributes serve as powerful communicative tools that extend beyond aesthetics to embed cultural values within the sporting context. The study concludes that semiotic analysis effectively uncovers the deep meanings embedded in tifos and banners, highlighting their role in mobilizing nationalistic sentiments and collective identity among Indonesian supporters. This approach highlights the importance of qualitative methods in examining the sociocultural aspects of sports, providing insights into how visual symbols shape and reflect national consciousness in competitive contexts.
VISUAL RRESENTATION OF RIVER POLLUTION AND GLOBAL WARMING IN ENVIRONMENTAL ADVERTISMENT: BASED ON ROLAND BARTHES' THEORY
This study explores the visual representation of river pollution and global warming in advertisements related to natural ecosystems, using Roland Barthes’ semiotic framework. It focuses on how visual signs, such as polluted water, industrial smoke, melting ice, and vulnerable human figures, construct layered meanings that extend beyond their literal appearances. Through denotation, connotation, and myth, these elements convey urgent environmental messages while embedding cultural narratives and emotional appeals. The environmental issues raised in these advertisements not only depict the impact of ecological destruction but also reflect the tension between destructive human activities and the need for ecological balance. Such visualizations demonstrate how visual media play a significant role in shaping public awareness of environmental issues and encouraging changes in attitudes toward the natural world. Using a qualitative descriptive method, this research analyzes selected digital campaigns to understand how advertisements build ecological awareness and construct the myth of restoring harmony between humans and nature, ultimately aiming to strengthen collective responsibility for environmental sustainability.
Representation of Sacracy and Monumentality in the Architectural Transformation of Mandara Giri Agung Semeru Temple through Brick Tectonics (Case Study: Lumajang Hotel)
With an emphasis on the integration of local cultural elements into contemporary spatial composition, this study explores the transformation of vertical forms and rhythmic patterns from the architecture of Pura Mandara Giri Semeru Agung into the interior design of Hotel Lumajang through brick tectonics. The design was focused on two primary areas: the lobby and the suite unit. A practice-based design research method was employed to develop a design prototype representing sacred, monumental, and aesthetic impressions. User perception was evaluated using a 5-point Likert scale questionnaire administered to 50 respondents, covering three main dimensions. The results indicated that the Sacrality dimension achieved an average score of 3.68; Monumentality & Cultural Values scored 4.02; and Visual Aesthetics scored 4.15. These findings suggest that the brick tectonic elements effectively conveyed a strong and positive spatial impression, particularly in terms of monumentality and visual aesthetics. This study affirms the potential of brick tectonics as a medium for cultural representation in interior decorative elements, enriching meaningful spatial experiences in contemporary public space.
AESTHETICS OF JOURNALISTIC PHOTOGRAPHY BY WAHYU ADJI FEBRIANTO IN INSTAGRAM RADAR KEDIRI MAY – JUNE 2025 EDITION
This research on photography focuses its study on the works of Wahyu Adji Febrianto collected in online news portals with the aim of describing the types of photography and aesthetic values in Wahyu Adji Febrianto's photographic works. This research is a qualitative descriptive study with data collection techniques used are documentation, bibliography, and triangulation techniques. The results of the study show that all of Adji's photographic works have or contain elements, principles, and principles of art so that they have aesthetic value in them. The types of journalistic photography that are pursued and almost always present in every news photo coverage by Wahyu Adji Febrianto are spot photography, people in the news, and sports. The aesthetic value of Adji's journalistic photography leads to the application of elements of art, principles of art, and principles of art. For the elements of art, there are elements of line, elements of color, and elements of space. For the principles or basics of art, there are the principles of contrast and the principle of rhythm. Meanwhile, for the principles of art, the photojournalist named Adji successfully applies four principles, namely the principle of unity, balance, proportion, and the principle of simplicity. The value of beauty adds to the attraction because in general journalistic photos always prioritize speed in covering news and photos.
Aesthetic Representation of the Character Values of Tolerance and Nationalism in Chinese-Motif Batik Lasem
This study explores the aesthetic representation of tolerance and nationalism as character values embedded in the visual elements of Chinese-motif Batik Lasem. As a cultural artifact rooted in a history of intercultural exchange, Batik Lasem reflects not only artistic beauty but also deep social and moral meanings. Using a qualitative descriptive approach, this research employs visual analysis to examine the formal elements—such as color, shape, composition, and symbolism—found in selected Chinese-influenced Batik Lasem patterns. The findings reveal that the fusion of Chinese and Javanese visual motifs embodies messages of cultural harmony, mutual respect, and national identity. The aesthetic choices made by artisans—ranging from symbolic flora and fauna to harmonious compositions—serve as a medium to communicate values of tolerance and national pride. This study contributes to the field of visual communication design by demonstrating how traditional art forms can function as effective channels for character education and interethnic understanding through visual aesthetics.
User Interface/User Experience Design of Le Mans 24 Hours History Website for Motorsport Education.
Access to Le Mans 24 Hours endurance racing history content faces limitations in a more structured and comprehensive digital format, although in practice Le Mans 24 Hours brought many innovations and technologies to commercial cars. For example, the book Le Mans: A Century of Passion that archives the 100-year history of Le Mans has only 2500 copies produced, making it out of reach for many. The purpose of this project is to design a user interface (UI) and user experience (UX) website to present comprehensive information about the history of Le Mans 24 Hours as an educational medium. The method used in this study project is a Design Thinking approach with a Design Sprint framework consisting of five stages: Understand, Diverge, Converge, Prototype, and Testing. Then produce a prototype of the "Memories du Mans" website that displays historical content, innovations, figures, and iconic cars at Le Mans 24 hours divided into 8 types of pages. Usability Testing results on 16 respondents showed a 100% task success rate, but some pages and tasks had a high percentage of misclick rate, >67% on the car page and averaage duration >106s. This study shows how important it is to apply UI/UX principles in designing an educational platform.
Designing Posters of Palembang’s Culinary Specialties as a Medium for Education on History and Local Cultural Identity
Traditional cuisine plays an important role in strengthening history and cultural values for public awareness, especially amidst the tide of globalization that erodes local cultural identities. The design of posters featuring traditional Palembang cuisine as a medium for historical education to visually and informatively introduce its diversity to the younger generation. Typical Palembang cuisine such as pempek, tekwan, model, lenggang, laksan, and burgo not only serves as a consumption necessity but also represents the acculturation of Sriwijaya, Malay, and Chinese cultures. The method used in designing the Palembang culinary poster is the design thinking approach, which consists of five stages: empathize, define, ideate, prototype, and test. Data was obtained through observation, interviews, questionnaire distribution, and literature study. The results show that the posters designed with a contextual visual and narrative approach can serve as a communicative and meaningful non-formal educational tool. The poster features local visual elements, such as the traditional Palembang songket fabric motifs, the Ampera Bridge, local cultural tourist destinations, and is disseminated through social media to reach a wide audience. These findings indicate that visual media are not only effective in introducing the diverse culinary offerings of Palembang but can also strengthen cultural identity and continuously preserve intangible cultural heritage.
ANALYSIS OF NATURALISM PAINTING IN BASUKI ABDULLAH’S WORKS USING FERDINAND DE SAUSSURE’S SEMIOTIC THEORY
Basuki Abdullah is a maestro painter from Indonesia who is a naturalist and realist. His work represents elements of natural and cultural beauty that are presented beautifully. This research aims to analyze the concepts or ideas and meanings contained in the work, including the color elements chosen so that they can form a portrait of the beauty of natural paintings. This research uses a qualitative method with Ferdinand de Saussure's semiotic theory approach which focuses on a sign and the related relationship between the signifier and the signified to reveal the hidden messages in the work. The results of the analysis show that Basuki Abdullah's works are able to bring out aesthetic values ​​in the landscape of natural beauty in Indonesia. This research provides further insight into the presentation of naturalist works of art by incorporating local elements into fine art elements while still highlighting their aesthetic value.
FORM AND SYMBOLIC MEANING OF THE “SUBAMA BATIK” BATIK MOTIF BAJING KULON VILLAGE KROYA DISTRICT CILACAP REGENCY
Batik is a cultural heritage that has deep aesthetic and symbolic value. This research aims to analyze the form and symbolic meaning of batik motifs produced by "Subama Batik", which is located in Bajing KulonVillage, Kroya District, Cilacap Regency. Subama Batik has various unique motifs and is rich in local wisdom values. This research uses a descriptive qualitative approach with data collection techniques through observation, interviews and document study. Data analysis uses data reduction, data presentation, drawing conclusions, and verification. Based on the research results, it was found that (1) The motifs produced by "Subama Batik" were inspired by flora, fauna, natural objects and life around the environment of Bajing Kulon Village, Kroya District, Cilacap Regency. The motifs created include Jambu, Ngasem, Laptu, Cassava, Nusakambangan, Srrandil, Turtle, Bamboo, Wijayakusuma, Lotus Flower, Mangrove, Hibiscus, Jellyfish, Nusakambangan Pola, Garuda Wijayakusuma, and Marine Biota motifs. (2) Every batik motif produced by "Subama Batik" has a distinctive shape and has a deep symbolic meaning, related to the culture, history and life of the surrounding community. (3) "Subama Batik" motifs, such as the Jambumotif, Ngasem motif, Laptu motif, and others, contain messages about togetherness, tolerance, historical values, and local wisdom passed down from generation to generation. This symbolic meaning is reflected in the shapes and other elements in batik, which reflect the harmonious relationship between humans, nature and local culture.
COMIC STRIP AS FINANCIAL LITERACY MEDIA: AUDIENCE PERSPECTIVES IN UNDERSTANDING INFLATION ISSUES
Financial literacy is a crucial aspect of modern life. However, the younger generation often faces difficulties in understanding economic concepts. Comic strips come as an alternative media that is easier to access and understand, utilizing a combination of visuals and narration to convey information more effectively (Paivio, 1986). This study aims to assess the effectiveness of comic strips as well as the level of audience understanding of financial literacy. Using a qualitative approach with a case study method, this research analyzes audience acceptance of inflation-themed comic strips published through various digital platforms. Data was collected through observation, content analysis, and in-depth interviews with audiences who have read the comic strip. The results show that comic strips are effective in improving basic understanding of inflation, as they are able to simplify complex economic concepts. This is in line with McCloud's (1993) research, which states that comics can increase emotional engagement and appeal. However, the study also found that comic strips have limitations in conveying more in-depth information related to the technical aspects of inflation. This opinion is supported by Huston (2010), who asserts that optimal financial literacy requires a combination of various sources of information to achieve a more comprehensive understanding. Thus, this study contributes to the development of visual media-based financial literacy strategies.
INTRODUCING ANCIENT EGYPTIAN HISTORY THROUGH EDUCATIONAL GAMES : A CASE STUDY OF ARCHEOLOGIST ANCIENT EGYPT
Indonesian art has a rich and varied heritage, but in the current modern era, traditional art faces challenges to maintain its relevance. In the midst of the dynamics of social, economic and cultural change, artists and practitioners or art enthusiasts are starting to look for new ways to update things so that they become better or function optimally again and apply traditional arts in today's context. This study explores how traditional arts such as shadow puppetry, batik, masks, and other traditional performing arts are adapted, updated, and applied in various contemporary contexts. Through observations with artists, field research, and literature analysis, researchers identified various strategies and approaches used by artists in facing these challenges. This research aims to conduct a review of traditional Indonesian art practices and contemporary innovations that have emerged in their application today. The method used is descriptive qualitative and the study results show that there are various ways in which traditional art in the archipelago is revived, one of which is through interdisciplinary collaboration, integration of modern technology, educational and participatory approaches, as well as an emphasis on local values ​​and sustainability. The conclusion of this study is that Indonesian art remains a rich and relevant source of inspiration in facing challenges and opportunities in the world of contemporary art. This study makes an important contribution to understanding the application of traditional art in the archipelago to contemporary innovation.
ART AS A MEDIUM OF DELIBERATION: A CASE STUDY OF PUBLIC SPACE UTILIZATION BY THE TARING PADI COMMUNITY
This study examines the role of art as a medium of deliberation in public spaces through a case study of the Taring Padi art community in Yogyakarta. Using a qualitative approach and a case study method, the research involved observations, in-depth interviews, and document analysis. Findings reveal that the Taring Padi community utilizes visual arts such as murals, posters, and billboards to voice social, political, and environmental issues, as well as to advocate for public rights. Through collective work, thematic discussions, and collaboration with local communities, the group creates inclusive and democratic public spaces aligned with the principles of deliberative democracy. Art serves not only as an aesthetic expression but also as a catalyst for social change, strengthening solidarity among marginalized communities. This research contributes to the literature on art, public spaces, and democracy by proposing an art-based advocacy model relevant to equitable development.
REPRESENTATION OF VINCENT VAN GOGH'S ARTWORK IN THE CREATION OF YARN MEDIA PAINTINGS
Vincent van Gogh, a Dutch post-impressionist painter, is famous for his emotionally expressive style, striking use of bright colors, and thick brushstroke technique that gives his works dimension. Van Gogh's works such as Starry Night became icons of world art and inspired many contemporary artists. This research aims to explore the representation of Van Gogh's artwork through the medium of thread in painting. By using an experimental approach and qualitative method. The experimental approach is done by creating thread-based artworks that represent Van Gogh's visual elements, such as expressive strokes and bold contrasting colors. The expected result of this research is the creation of thread media paintings that can re-illustrate the power of expression and visual dynamics found in Van Gogh's works.
REPRESENTATION OF MINANGKABAU CULTURAL VALUES IN THE DESIGN AND MOTIFS OF TAROMPA DATUAK
This study examines how Minangkabau cultural values ​​are represented in the design and motifs of tarompa datuak, which are traditional footwear worn by traditional figures in traditional events. The problem discussed is how the visual symbols of tarompa datuak reflect the traditional wisdom and social values ​​of the Minangkabau people amidst the threat of modernization to their culture. This study uses qualitative methods and an ethnographic approach. This includes interviews with craftsmen and direct observation. The results of the study show that the traditional designs and motifs of tarompa datuak, such as variations of the tarompa datuak design and one of the motifs that is often used, namely the Itiak Pulang Patang motif, which philosophically symbolizes order, togetherness, and local wisdom, illustrate the importance of maintaining harmony and returning to the origin in community life. Not only to beautify, but also to symbolize courage, wisdom, and spirituality that reflect cultural identity. Tarompa datuak is a symbol of culture and a cultural education tool that shows the importance of tradition in the life of the Minangkabau people.
NUSANTARA ARTWORK AND ITS APPLICATIONS: A REVIEW OF TRADITIONAL ART PRACTICES AND CONTEMPORARY INNOVATIONS
Kemampuan Remaja dalam Lukis Abstract berbasis Art Therapy sebagai Upaya Menjaga Kesehatan Mental
Remaja di Indonesia menjadi perhatian utama dalam kesehatan mental. Generasi yang disebut Gen-Z dimungkinkan mengalami depresi dan sedikit minat dalam melakukan sesuatu hal. Menyendiri merupakan jalan terbaik yang diambil sebagai jalan akhir. Karena IPTek (Ilmu Pengetahuan dan Teknologi) sekarang ini berkembang pesat dengan kemudahan yang didapat melalui Handphone. Aktivitas berkesenian yang menjadi titik dalam penyelenggaraan penelitian ini. Sebagai upaya, membuat kesibukan bersama agar lebih berkualitas mengenal diri sendiri dan orang sekitar sebagai solusi yang dapat ditawarkan. Pendekatan yang digunakan Fenomenologi. Kekuatan pada observasi, dokumentasi dan wawancara menjadi poin utama untuk membangun remaja menyalurkan emosi pada karya lukis. Penelitian ini tidak menjamin sembuhnya seseorang terhadap kesehatan mental yang dihadapi. Fokus lebih pada proses pencegahaan. Hasil yang diharapkan yaitu proses yang dilakukan sebagai tempat berbagi pengalaman mengalami, pemahaman, pengetahuan, dan keterampilan berkarya agar bisa lebih bervariasi. Sehingga, diharapkan dapat menjadi sebuah pembangkit dalam aktifitas art therapy
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Peranan Analisis Elemen Logo dan Visual Identitas dalam Pembangunan Brand: Studi Kasus Aksara Buana
Abstrak ___________________________________________________________________ Logo adalah bagian dari visual identitas yang dimana sebagai penanda dari merek atau brand perusahaan tersebut. Kita ketahui orang di masa lampau sudah menggunakan logo sebagai alat beribadah dan bersembahyang. Selain itu logo juga dipakai sebagai penabda keluarga dan lalu dipakai di perusahaan untuk brand dan merek mereka. Disini logo beririsan dengan visual identitas karena tannpa visual identitas logo maupu company profile tidak bisa dibuat sesuai kemauan client. Penelitian ini bertujuan untuk menganalisa elemen elemen logo yang dipakai dalam logo Aksara Buana selain itu pentingnya kosistensi dan juga keselarasan yang dimana menciptakan brand butuh visual yang dapat diingat audiens. Dalam penelitian ini juga menemukan bahwa desain modern lebih mengutamakan kesederhanaan dan fleksibilitas dalam pemakaian di berbagai platform. Abstract ___________________________________________________________________ A logo is part of a visual identity which is a marker of the company's brand. We know that people in the past have used logos as a means of worship and prayer. In addition, the logo is also used as a family marker and then used in the company for their brand and brand. Here the logo intersects with visual identity because without a visual identity, the logo or company profile cannot be made according to the client's wishes. This study aims to analyze the elements of the logo used in the Aksara Buana logo in addition to the importance of consistency and harmony which create a brand that needs visuals that can be remembered by the audience. This study also found that modern design prioritizes simplicity and flexibility in use on various platforms.
EDUKASI GIZI DAN NUTRISI UNTUK IBU HAMIL MELALUI BUKU ILUSTRASI
Status gizi yang baik sangat berpengaruh pada ibu hamil dalam kesehatan ibu serta perkembangan janin. Kekurangan nutrisi selama kehamilan dapat menyebabkan berbagai komplikasi, termasuk berat badan lahir rendah, kelahiran prematur, dan gangguan perkembangan janin yang mengakibatkan terjadinya kenaikan angka stunting. Pengetahuan dan pemahaman mengenai gizi yang baik perlu ditingkatkan melalui media edukasi yang dapat mendukung untuk memastikan bahwa setiap ibu hamil dapat memenuhi kebutuhan nutrisi mereka. Puskesmas Cibinong memiliki beberapa misi yang perlu direalisasikan, salah satunya yaitu dapat menurunkan kematian ibu dan anak melalui peningkatan upaya program kesehatan ibu dan anak berkualitas. Oleh karena itu, Puskesmas Cibinong membuat buku ilustrasi yang berjudul "Gizi dan Nutrisi yang Tepat untuk Ibu Hamil" yang dirancang sebagai media edukasi untuk meningkatkan pengetahuan ibu hamil mengenai gizi dan nutrisi yang tepat, sehingga dapat diaplikasikan dalam kehidupan sehari-hari guna mengurangi angka stunting pada anak sehingga dapat menurunkan angka kematian pada ibu maupun anak. Metode penelitian yang digunakan dalam proses perancangan ini adalah kualitatif deskriptif melalui pendekatan design thinking. Hasil dari penelitian ini adalah buku ilustrasi bertema colorful dengan gaya ilustrasi kartun dan menggunakan font minimalis, berukuran 21x18 cm serta memiliki 20 halaman yang dapat mengedukasi ibu hamil mengenai gizi dan nutrisi guna menurunkan angka stunting pada anak di wilayah Puskesmas Cibinong. Melalui perancangan buku ilustrasi edukatif ini, Puskesmas Cibinong diharapkan dapat mengurangi angka stunting. Dengan pendekatan yang menarik dan sesuai membuat ibu hamil merasa lebih nyaman dan memungkinkan mereka menerima informasi tentang gizi dan nutrisi secara efektif.
PERANCANGAN MEDIA PROMOSI BUKU CERITA BERGAMBAR “RAUNGAN MIRAH” KISAH HEROIK SINGA BETINA DARI MARUNDA
Cerita rakyat “Raungan Mirah” Kisah Heroik Singa Betina dari Marunda merupakan narasi budaya yang penting dan memiliki potensi besar untuk menginspirasi pembaca muda, terutama anak perempuan, melalui penekanan pada keberanian dan ketangguhan karakter perempuan. Perancangan media promosi buku cerita bergambar “Raungan Mirah” Kisah Heroik Singa Betina dari Marunda bertujuan untuk meningkatkan kesadaran dan minat baca anak-anak terhadap cerita rakyat Betawi, dengan fokus pada penggambaran sosok perempuan tangguh yang inspiratif. Melalui strategi promosi yang mencakup berbagai media seperti identitas visual, merchandise, dan materi promosi cetak, penelitian ini menemukan bahwa desain yang konsisten dan kreatif mampu menarik minat audiens muda dan memperkenalkan mereka pada nilai-nilai budaya lokal. Hasil penelitian menunjukkan keberhasilan media promosi ini dalam membangun kesadaran terhadap buku "Raungan Mirah" dan menginspirasi pembacanya.
PERANCANGAN BATIK TULIS SMOCK DENGAN SUMBER IDE AKTIVITAS GAJAH SUMATRA UNTUK PRODUK BUSANA OUTER.
Gajah Sumatra merupakan satwa Indonesia yang statusnya terancam punah akibat ulah manusia dan berdampak pada kegiatan harian Gajah Sumatra. Hal ini mendorong penulis untuk menggunakan aktivitas Gajah Sumatra sebagai inspirasi motif batik tulis dengan teknik pewarnaan smock yang jarang digunakan dalam batik tulis, untuk dijadikan produk busana outer yang sedang tren. Metode yang digunakan adalah Metode Desain Tekstil dari Nanang Rizali yang mengacu pada teori Collin Clipson, yang mencakup identifikasi masalah, analisis perancangan, proses kreatif, proses produksi dan distribusi pemasaran. Hasil dari perancangan ini adalah produk busana outer dengan motif aktivitas Gajah Sumatra menggunakan teknik batik tulis dan pewarnaan smock. Berdasarkan hasil perancangan tersebut, diketahui bahwa motif batik tulis dapat menggunakan inspirasi dengan sumber ide Aktivitas Gajah Sumatra dengan visual yang menarik dan pewarnaan smock untuk menambahkan nilai estetika dan keunikan visual pada produk busana outer.
PERANCANGAN DESAIN KARAKTER TOKOH PAHLAWAN NASIONAL WANITA SEBAGAI PENGENALAN TOKOH SEJARAH
Tercatat dalam data Direktorat Kepahlawan Keperintisan Kesetiakawanan dan Restorasi Sosial (K2KRS) Kementrian Sosial (Kemensos) bahwa Indonesia memiliki 206 pahlawan nasional pada tahun 2023, yang dimana 190 merupakan pria dan 16 merupakan wanita. Sayangnya masyarakat Indonesia kurang mengetahui pahlawan nasional khususnya pahlawan nasional wanita. Pada permasalahan ini dibutuhkan suatu media yang dapat memperkenalkan pahlawan nasional wanita Indonesia. Perancangan ini dilakukan dengan metode pengumpulan data dari kajian pustaka, dokumentasi, dan survei kuesioner. Kemudian metode analisis data yang digunakan adalah metode 5W+1H, yaitu what, where, when, who, why, dan how. Hasil dari perancangan ini adalah artbook sebagai media utama yang berisikan desain karakter beserta dengan informasi mengenai tokoh-tokoh pahlawan nasional wanita Indonesia, dan dua belas media pendukung yang berupa pin, gantungan kunci, pembatas buku, standee akriliki, note book, mug, thumbler, poster, x banner, stiker, photo card, dan kaos.
ANALISIS DESAIN GRAFIS LINGKUNGAN TEBET ECO PARK
Tebet Eco Park sebagai salah satu taman kota dengan luas mencapai 7,3 hektar di tengah padatnya penduduk Jakarta hadir dengan konsep baru. Mengedepankan fungsi ekologis dan mendukung adanya interaksi sosial di dalamnya. Tebet Eco Park menyediakan environmental graphic design (EGD) yang dapat memberikan informasi melalui desain tematik yang dimilikinya. Penelitian ini menggunakan pendekatan kualitatif deskriptif dan metode studi kasus. Analisis dilakukan pada EGD yang telah dikategorikan berdasarkan tiga fungsi EGD: signage-wayfinding, interpretation, dan placemaking. Data primer dikumpulkan melalui observasi, wawancara, dan dokumentasi, sedangkan analisis data dilakukan secara kualitatif dengan mengedepankan konsistensi dari penggunaan berbagai unsur visual. Berdasarkan hasil dari penelitian ini menganalisa desain pada EGD di TEP dapat disimpulkan bahwa EGD yang ada memiliki konsistensi yang baik dalam penggunaan, penggabungan, dan harmonsasi berbagai unsur visual.
ECOPRINT SEBAGAI MEDIA EKSPRESI DALAM PEMBELAJARAN SENI BUDAYA DI KELAS IV SD 3 KARANGMALANG.
Tujuan dari penelitian ini adalah untuk mendeskripsikan hasil karya ecoprint baik dari segi warna, tekstur dan bentuk yang dihasilkan siswa sebagai media ekspresi dalam pembelajaran seni budaya. Metode penelitian ini menggunakan jenis penelitian kualitatif dengan pendekatan deskriptif. Subjek penelitian ini adalah seluruh siswa kelas IV SD 3 Karangmalang yang berjumlah 24 siswa. Sedangkan objek dari penelitian ini adalah proses dan hasil karya ecoprint dari siswa. Teknik pengumpulan data yang digunakan yakni observasi, praktik berkarya, wawancara dan dokumentasi berupa foto dan video. Teknik analisis datanya menggunakan seleksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa warna yang dihasilkan berupa warna alami dari tumbuhan yang digunakan, tekstur yang dihasilkan berupa tekstur semu dan bentuk yang dihasilkan berupa bentuk alami dari tumbuhan yang digunakan. Selain itu, teknik ecoprint sangat cocok digunakan dalam upaya memberikan pembelajaran seni rupa yang menarik bagi siswa terutama dalam mengekspresikan berbagai bentuk, warna dan tekstur dari tumbuhan alami disekitar.
DIVERSIFIKASI MOTIF BATIK FASHIONABLE KONTEMPORER BERTEMA BUDAYA PESISIR SEMARANGAN MELALUI APLIKASI D-BATIK SEBAGAI UPAYA PENINGKATAN EKONOMI INDUSTRI KREATIF PADA KELOMPOK BATIK CITARUM KOTA SEMARANG
Kelompok Batik Citarum, sebuah kluster UMKM batik di Kota Semarang, telah berusaha mengembangkan desain batik Semarangan sejak tahun 2015. Namun, kelompok ini menghadapi beberapa kendala, termasuk kesulitan menghadirkan keunikan produk, perlunya diversifikasi produk batik khas pesisir untuk meningkatkan ekonomi perajin, persepsi negatif kaum milenial terhadap batik sebagai busana yang kurang fashionable dan formal, serta keterbatasan dalam menciptakan desain motif batik secara manual. Aplikasi D-Batik dikembangkan guna membantu perajin dalam diversifikasi produk batik. Upaya diversifikasi produk batik ini penting dalam mengembangkan motif batik yang fashionable dan efisien, di mana motif batik diciptakan sesuai dengan bagian-bagian tertentu dalam mode busana modern. Motif batik yang dihasilkan tidak hanya estetik dan mengikuti trend mode fashion, tetapi juga mencerminkan karakteristik batik pesisir Semarangan. Penelitian yang dilakukan mencakup transfer knowledge melalui Forum Group Discussion tentang teori diversifikasi motif batik, pembuatan desain motif dengan aplikasi D-Batik, analisis estetis hasil desain motif batik. Hasil dari penelitian ini adalah terciptanya beberapa motif khas pesisir Semarangan yang difokuskan pada tema ombak dan kehidupan pesisir, yang kemudian diterapkan dalam desain fashion. Penggunaan aplikasi D-Batik membantu pembatik dalam menyusun tata letak motif secara efisien dan efektif sesuai dengan kebutuhan pasar busana modern.
batik, kontemporer, D-Batik, Diversifikasi, Semarangan
REPRESENTASI IDENTITAS KULTURAL DALAM SIMBOL-SIMBOL PADA KERAMIK MAYONG
Penelitian yang berjudul Pengembangan Produk Kerajinan Gerabah Berbasis Budaya Local: Pengetrapan Teknik dan Motif Ukir Kayu pada Kerajinan Gerabah di Desa Mayong Lor Jepara, ini bertujuan untuk mengidentifikasi bentuk-bentuk kerajinn gerabah/ keramik tradisional yang bermuatan budaya lokal dan memberikan model motif ukir kayu sebagai pengembangan yang memuat nilai -nilai konservasi desain kerajinan gerabah/ keramik sebagai solusi untuk melestarikan dan meningkatkan kualit as kerajinan gerabah/kerajinan keramik di Desa Mayong Jepara. Untuk mencapai tujuan penelitian ini akan digunakan desain Penelitian dan Pengembangan Research and Development atau R&D. Permasalahan penelitian adalah: mengidentifikasi desain bentuk kerajinan geraabah/ keramik tradisional Mayong Lor dan mengembangkannya tanpa meninggalkan ciri khas budaya lokal. Khususnya pada keramik Mayong Lor, para pengrajin menggunakan campuran berbagai macam bahan, seperti tanah Nalumsari dicampur dengan tanah Mayong serta tambahan sekam. Setelah tanah diolah, maka selanjutnya adalah diproses untuk dibuat keramik. Maka kemudian, ukiran-ukiran tersebut dapat dimodifikasi menggunakan gerabah yang diaplikasikan dengan bentuk ukiran yang spesifik sehingga berfungsi mendekorasi dan mengurangi pemotongan kayu. Adapun bentuk yang dibuat adalah ; saton, sulur, tumpal, Mughal, tracapan, patran, waluhan, nanas an, makutha. Pada keseluruhan karya tersebut terdapat bentuk yang terinspirasi pada alam.
Perancangan Buku Menelusuri Warisan Budaya Banten Sebagai Media Pengenalan Budaya Banten Untuk Anak-Anak
Globalisasi membawa pengaruh budaya luar yang dapat mengancam keberadaan warisan budaya Indonesia. Saat ini perkembangan teknologi dan media massa telah mempopulerkan budaya Barat yang membuat warisan budaya lokal mulai terlupakan. Kebudayaan Banten menjadi salah satu contoh yang menunjukkan tantangan dalam pelestarian budaya lokal. Sebagai solusi untuk mengatasi lunturnya kebudayaan Banten, peneliti merancang media buku yang berjudul "Menelusuri Warisan Budaya Banten" dalam upaya melestarikan kekayaan tradisi dan warisan Banten melalui pengenalan budaya Banten kepada anak-anak. Media buku ilustrasi merupakan pilihan yang ideal untuk memperkenalkan warisan budaya Banten kepada anak-anak karena anak-anak dapat belajar melalui gambar, yang memungkinkan mereka untuk lebih mudah mengingat informasi daripada hanya melalui kata-kata. Diharapkan melalui buku ini, kesadaran masyarakat dan ketertarikan anak-anak akan pentingnya pelestarian budaya lokal dapat meningkat, sehingga kebudayaan Banten dapat terus hidup dan berkembang di tengah arus modernisasi dan globalisasi. Teknik yang digunakan dalam proses berkarya adalah Teknik digital. Buku ini memiliki 12 halaman dengan ukuran 20 cm x 40 cm.
REPRESENTASI BUDAYA BATAK MANDAILING PADA DESAIN PRODUKSI FILM PENDEK FIKSI “BABIAT SITELPANG”
Film is an audio-visual mass media that can be used for a variety of messages to be conveyed in the movie. The type of narrative film is one of the strong media to explore issues that occur in society. Issues that are then visualized in the form of images and sounds are arranged in a representative fictional storyline. This research uses descriptive qualitative method in determining mise-en-scene in the movie to discuss the elements seen in the frame. In the film "Babiat Sitelpang" by director Asrizal Hasibuan, a UPI Film and Television student, Mandailing Batak culture is packaged in production design or artistic arrangement in the film. Through several approaches, the Batak Mandailing culture presented becomes distinctive in the movie, starting from the language used in Mandailing Batak, the character's residence is the same as in Batak, the character's surroundings, and the character's harsh lifestyle. This research shows that the strength of a movie is not built on the plot alone but the artistic elements of a movie.
Metodelogi Turun Bawah Lembaga Keboedajaan Rakyat Untuk Produksi Karya.
Metode berkesenian adalah suatu kegiatan yang diterapkan oleh seniman untuk menggapai sebuah visi tertentu dalam keseniannya metode sering kali menyatu dalam sebuah manifesto yang digagas seniman atau organisasi kelompok, di Indonesia sendiri memiliki satu manifesto yang teguh ber-irisan dengan sifat politis dan ideologis, pada tahun 1959 dalam kongres mengemukakan pernyataan penolakan terhadap slogan “seni untuk seni” hal tersebut dikemukakan oleh Njoto yang berkembang menjadi manifesto organisasi seni budaya yaitu Lembaga Keboedajaan Rakjat atau Lekra. Lekra memiliki manifesto atau panduan yang harus diteladani tiap seniman yaitu TURBA (Turun Bawah), tetapi dengan perkembangan negara Indonesia yang mengalami banyak peristiwa politik membuat TURBA luput untuk diterapkan oleh para seniman terutama setelah Indonesia mengalami peristiwa 1965 dan berimbas pada gaya kesenian Indonesia yang menghilangkan unsur politis dalam karyanya, hal tersebut juga mendapatkan otokritik terutama di era seni rupa kontemporer yang dirasa para seniman tidak mempunyai akar yang kuat dan landasan yang mendasar untuk mempresentasikan karyanya, lalu apakah metode berkarya TURBA akan selalu diperlukan pada tiap seniman, dalam tulisan ini akan mengulas bagaimana perkembangan TURBA dan korelasinya dengan dunia seni rupa sekarang.
IDEAS AND AESTHETICS OF THE TEAK ROOT STATUE BY TRISWANDI IN SULURSARI, GROBOGAN
Triswandi adalah seorang pengrajin akar jati yang terkenal dengan karyanya yang memiliki nilai estetika tinggi dan mengandung makna tentang kehidupan. Proses penciptaan patung akar jati oleh Triswandi melibatkan berbagai tahapan seperti sensasi, persepsi, memori, dan berpikir. Faktor pendukung dalam proses berkarya meliputi teknologi modern, sosial budaya, dan lingkungan, sedangkan faktor penghambat dapat dipengaruhi oleh suasana hati atau mood. Triswandi mendapat dukungan dari masyarakat dalam berkarya seni dan menggunakan bahan baku akar jati yang mudah didapatkan di wilayah Grobogan. Karya-karyanya tidak hanya memiliki nilai estetis tetapi juga nilai sosial yang tinggi, mengandung pesan moral dan nilai estetika yang menginspirasi generasi muda untuk menjunjung tinggi tanah air. Triswandi menggunakan teknologi modern dalam proses pembuatan karyanya, namun tetap mempertahankan akar budaya dan lingkungan sekitarnya sebagai inspirasi. Penelitian ini menyarankan agar penelitian selanjutnya memperhatikan faktor-faktor yang mempengaruhi mood dalam proses berkarya. Penelitian ini memberikan wawasan tentang bagaimana teknologi, sosial budaya, dan lingkungan dapat mendukung proses kreatif, serta bagaimana suasana hati dapat menjadi faktor penghambat dalam berkarya.