ANALYSIS OF MOTIFS AND SYMBOLISM IN THE CARVING ART ON THE MIHRAB AND SIDE WALLS OF AL-FALAH MOSQUE, MARGOYOSO

Abstract

Wood carving is a traditional art form that has flourished in Jepara, with carved wood frequently utilized as ornamentation in mosque architecture. The Al-Falah Margoyoso Mosque is one such structure that incorporates these carvings, serving both to preserve the art of wood carving and to showcase a fusion of Middle Eastern architectural styles with traditional artistry. This study aims to uncover the meanings and values ​​embedded in the carvings by analyzing the motifs and symbolism found on the *mihrab* (prayer niche) and side walls of the Al-Falah Margoyoso Mosque. Specifically, the research seeks to identify the wood carvings present, the types of motifs employed, their symbolic significance, and the underlying values ​​they convey. A descriptive qualitative research method was adopted, utilizing data collection techniques such as observation, structured interviews, documentation, and literature review. Data analysis involved data collection, reduction, presentation, conclusion drawing, and verification. The findings reveal that the *mihrab* and side walls of the Al-Falah Margoyoso Mosque feature diverse wood-carved motifs, each carrying distinct symbolic meaning. These carvings embody various values, including those related to the Divine, religion, social interaction, morality, and cultural preservation.