The Feasibility of Exploring Dimensional Pleated Design in the Design of the “Thiravela” Stage Gown

Abstract

Stage attire not only functions as body covering, but also as a medium of visual expression that can strengthen the character and narrative of the performance. However, the exploration of pleats in stage attire still tends to be focused on two-dimensional decorative aspects, so that the potential of pleats as elements that form dimension, volume, and visual dynamics has not been optimally utilized. This study aims to design a glamorous stage gown with an ocean wave theme through the exploration of pleated dimensions as a visual representation of the movement and depth of the sea. The research method used is a design research with a descriptive percentage approach. The design process explores the concept, moodboard preparation, design development, pleating technique experiments, and the realization of the dress prototype. The design feasibility assessment was carried out using an assessment instrument compiled based on theoretical studies related to fashion design, clothing construction, aesthetics, and comfort. Data were analyzed using quantitative descriptive techniques by calculating the feasibility percentage based on the scores obtained and the maximum score to determine the level of product feasibility. The results showed that the designed stage gown obtained a feasibility assessment percentage of 95.5% with the category "Very Feasible". This finding indicates that the exploration of dimensional pleats can produce visuals resembling ocean waves, strengthen the impression of glamour, and create a dynamic and comfortable silhouette to wear as stage attire. The conclusion of this study confirms that the dimensional pleating technique contributes significantly to innovation in stage fashion design and can be an alternative for developing fashion designs based on the exploration of natural forms and inspiration. The results of this study indicate that the exploration of the dimensional pleating technique has important implications for the development of contemporary stage fashion design. Theoretically, this study can enrich the study of fashion design by confirming that fabric manipulation techniques not only function as decorative elements, but can also act as an effective visual representation medium in conveying narrative, movement, and the depth of natural inspiration.