Meaning of the Bedhaya Tirta Ritual Dance Form in the Odalan Ceremony of Tirta Empul Temple Surabaya

Authors

DOI:

https://doi.org/10.15294/yes6hn67

Abstract

The odalan ritual of the Tirta Empul Surabaya temple is held once a year, every month of Purnama Kasa. Since 2017, every temple odalan event has presented the Bedhaya Tirta ritual dance. The dance delivers five main dancers dressed in green, and the presentation involves the ritual of pouring tirta (holy water). This research aims to describe the form and meaning of the Bedhaya Tirta ritual dance in the odalan of Tirta Empul Temple, Surabaya. This research used an ethnochoreological approach and Pierce's semiotics in qualitative research. Specifically, the form of dance movements was studied through pure and meaningful movements. Data were collected by observation, interviews, and document studies. Bedhaya Tirta dance is a choreography in the form of a ritual full of meaning. Iconically, this dance work is an imaginative manifestation of the combination of God and Goddess in the holy water dance. Symbolically, it contains the meaning of prosperity. The index explains that the grace of sacred prosperity was present at Tirta Empul Temple when performing the Bedhaya Tirta dance. The solanugerah movement as a sign means that at the time the performance takes place, the tirta purua descends from akasa (space) and the tirta pradhāna waits on pertiwi (earth), then unites into holy water called tirta ardhanareswari. The conclusion is that the Bedhaya Tirta dance is a ritual dance for the presence of the holy water for spiritual well-being at the Tirta Empul Babatan Temple, Surabaya.

Author Biographies

  • I Nengah Mariasa, Universitas Negeri Surabaya

    I Nengah Mariasa is a lecturer in the Department of Performing Arts at Universitas Negeri Surabaya, Indonesia. His academic interests include ritual dance, aesthetics, cultural philosophy, and religious studies. He actively researches the intersection between traditional performance and spiritual symbolism in Balinese and Indonesian contexts.

  • Retnayu Prasetyanti Sekti, Universitas Negeri Surabaya

    Retnayu Prasetyanti Sekti is a lecturer in the Department of Performing Arts at Universitas Negeri Surabaya, Indonesia. Her academic expertise focuses on dance studies, with a particular emphasis on traditional East Javanese dance. Her research explores cultural identity, choreography, and the preservation of regional dance heritage in Indonesia.

  • Enie wahyuning Handayani, Universitas Negeri Surabaya

    Enie Wahyuning Handayani is a lecturer in the Department of Performing Arts at Universitas Negeri Surabaya, Indonesia. Her areas of expertise include Sundanese dance, stage makeup, and dance costume design. Her academic and creative work explores the aesthetic integration of traditional performance, visual presentation, and cultural expression in Indonesian dance.

  • I Gede Dharma Utamayasa, Universitas PGRI Adi Bwana Surabaya

    I Gede Dharma Utamayasa is a lecturer in the Department of Physical Education at Universitas Negeri Surabaya, Indonesia. His academic interests focus on sports education, physical training methodologies, and the development of health-oriented physical activity programs. He is actively involved in research related to sports pedagogy and physical fitness in educational settings.

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Published

2025-07-31

Article ID

28604

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Articles