Sutasoma: Jurnal Sastra Jawa starting in 2024 migrates from OJS 2 to OJS 3 to better secure itself from various unwanted things, including journal hacking and so on. To submit, the author, please visit the new website page of our journal at the link https://journal.unnes.ac.id/journals/sutasoma. MIGRATION OFFICIAL STATEMENT HERE Sutasoma: Jurnal Sastra Jawa is an open-access journal managed by the Javanese Literature Study Program, Faculty of Languages and Arts, Universitas Negeri Semarang. The first published issue of Volume 1, No. 1 in 2012 had 1 article. Sutasoma: Jurnal Sastra Jawa is published twice yearly in June and November. Sutasoma: Jurnal Sastra Jawa has an International Standard Serial Number (ISSN) in both print and electronic versions, p-ISSN 2252-6463 (printed version) and e-ISSN 2686-5408 (electronic version). The focus and scope of this journal are Javanese literature, Javanese local culture and wisdom, Javanese linguistics, and Javanese philology or Javanese manuscripts. Sutasoma: Jurnal Sastra Jawa has been nationally accredited by the Ministry of Research and Technology of the Republic of Indonesia and received a SINTA 4 rating, valid until Volume 1 of 2026 by the DECREE OF THE DIRECTOR GENERAL OF HIGHER EDUCATION, RESEARCH, AND TECHNOLOGY OF THE MINISTRY OF EDUCATION, CULTURE, RESEARCH, AND TECHNOLOGY OF THE REPUBLIC OF INDONESIA NOMOR 177/E/KPT/2024. Furthermore, Sutasoma: Jurnal Sastra Jawa has also been indexed in Garuda Ristekdikti, Google Scholar, and Dimensions.
Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang
The Symbolic Meanings of the Lengger Mask Dance in the Sedekah Bumi Ceremony of Kaliputih Village
The Lengger Mask Dance during the Sedekah Bumi Ceremony in Kaliputih village is a sacred tradition rich in symbolic meaning and is still maintained amid modernization. This research aims to uncover the symbolic meanings in the songs, movements, makeup, and dance clothes of the Lengger Mask, and to explain how the community maintains its sustainability as a means of preserving local wisdom. This research uses a qualitative method with an ethnographic approach combined with an ethnopedagogical perspective, through participatory observation, in-depth interviews, and documentation of traditional actors, traditional leaders, village officials, and communities. The data is analyzed using an interactive model through reduction, presentation, and conclusion drawing. The results of the study show that the symbols in the Lengger Mask Dance represent the cosmological relationship between humans, ancestors, nature, and God through the structure of the song, the variety of movements, and the performance's attributes. In addition, tradition is preserved through intergenerational inheritance, communal commitment, and the revitalization of cultural values in the practice of the Sedekah Bumi ritual. This study concludes that the symbolic meaning of the Lengger Mask Dance is the primary foundation for the sustainability of tradition and for strengthening cultural education in the community.
symbolic meaning; Topeng Lengger dance; sedekah bumi; local wisdom; Wonosobo
Copyright (c) 2026 Sutasoma : Jurnal Sastra Jawa https://creativecommons.org/licenses/by-sa/4.0
Folklore Functions and Noble Values in The Performance of Wayang Gagrak Porongan
Wayang Gagrak Porongan has experienced a period of decline due to limited performance spaces and a lack of generational succession among artists. Therefore, this study aims to document, preserve, and reveal the noble cultural identity embodied in Wayang Gagrak Porongan performances. This study use descriptive qualitative method. Data were collected through observation, interviews, performance documentation, and a synopsis of the story, Wahyu Catur Pujangga. The data were analyzed using William R. Bascom’s theory of folklore functions. The analysis involved selecting relevant data, presenting the findings in descriptive narratives and classification tables, and drawing conclusions verified through methodological triangulation. Research result: first, the projection function is reflected in societal expectations regarding the ability to lead oneself and in the projection of the community’s straightforward character. Second, the function of validating cultural institutions is manifested through the recognition of the Gagrak Porongan identity and the Taruna Budaya institution's involvement in organizing the performance. Third, the educational function is conveyed through the advice of the Punakawan characters, which promotes humility and mutual respect. Furthermore, the noble values identified include religious values, reflected in spiritual practices before and during the performance, and moral values, embodied in Cangkruk's culture as a medium for strengthening solidarity and kinship within the community.
folklore function; wayang gagrak; noble values, porongan
To'dok Telok, Manre Ka'dok: Islamic Traditions, Bugis Cultural Identity, and Maritime Communities on Kemujan Island, Karimunjawa
This article discusses the transformation of the Ma Maulu’ tradition—a Maulid celebration of Prophet Muhammad with Bugis characteristics—into the To’dok Telok Manre Ka’dok festival on Kemujan Island, Karimunjawa, Central Java. The article aims to explain how this tradition functions as a medium for cultural preservation, collective identity formation, and the representation of maritime culture among the multi-ethnic community on Kemujan Island. Using a qualitative ethnographic approach through participant observation, in-depth interviews, and document analysis, this research is analyzed from the perspectives of Clifford Geertz's (1973) interpretive anthropology and Koentjaraningrat's (2009) acculturation theory. The results show that this festival is not only a religious celebration but also a space for the negotiation and reproduction of Bugis values, local Islamic spirituality, and maritime identity. The To’dok Telok (egg skewer) and Manre Ka’dok (eating together) symbols represent the balance between this world and the afterlife, social solidarity, and cross-ethnic cohesion amid the growing tourism in Karimunjawa. Based on these findings, we argue that To’dok Tello’ Manre Ka’dok has developed into a symbol of collective cultural transformation that goes beyond Bugis ethnic identity and has become a shared cultural heritage for the people of Kemujan Island, Karimunjawa.
bugis culture; islamic traditions; maritime communities; cultural acculturation; karimun jawa; symbolic rituals
The Conversational Implicatures and Violations of Maxims In the Utterances of the Characters Sabdo and Intan Kuncoro in the Film Janur Ireng
The film Janur Ireng contained conversational implicatures and maxim violations in the dialogue between the characters Sabdo and Intan, which were deliberately used to attract viewers to the story. This research aims to analyze the use of conversational implicatures and maxim violations in the utterances of the characters Sabdo and Intan Kuncoro to reveal the implied meaning behind the conflict. The approach used was a descriptive qualitative approach, using the Miles and Huberman interactive analysis model, which included data reduction, data presentation, and conclusion. Data in the form of characters' utterances that contained maxim violations were collected by listening to and taking notes on relevant dialogue in the film. The research results showed that all key utterances were special conversational implicatures whose meanings were highly dependent on the context of mystical revenge. Sabdo violated the maxims of relevance and manner through philosophical allusions as an instrument of intimidation and power, creating a mystical atmosphere. On the other hand, Intan violated the maxims of quantity and quality as a form of self-defense mechanism, a reflection of trauma, and a denial of the reality of the terror she experienced. This research concluded that the use of indirect language in this film set in Javanese culture was effective in building narrative tension while strengthening the portrayal of the characters as both perpetrators and victims of curses.
implicature; pragmatics; Janur Ireng; maxim; Sabdo; Intan
Cultural Code in the Serat Pasindhen Bedhaya Mintaraga Yasan Dalem of Sri Sultan Hamengku Bawono Ka-10
Bedhaya is a dance performed by female dancers within the royal palace environment. One of the Bedhaya dances preserved in the Karaton Ngayogyakarta Hadiningrat is Bedhaya Mintaraga, the yasan dalem of Sri Sultan Hamengku Bawono Ka-10. Bedhaya Mintaraga conveys messages about the noble values a ksatria must possess, represented by Raden Arjuna during his ascetic period, titled Begawan Mintaraga. These messages are conveyed not only through dance movements but also through the Serat Pasindhen sung by the sindhen. In this context, A.Teeuw’s semiotic theory, particularly cultural codes, is used to examine how cultural codes in the Bedhaya Mintaraga represent and transmit life values through artistic symbols. The results of the study show that the cultural code in the Serat Pasindhen Bedhaya Mintaraga reflects the social practices in the Karaton Ngayogyakarta Hadiningrat environment, when the Serat Pasindhen Bedhaya Mintaraga includes the concept of babahan hawa sanga, forms of symbolic legitimization, representations of prayer, and the figure of Raden Arjuna, as well as life teachings that emphasize the principle of memayu hayuning Buwono. This research shows that the performing arts of the Karaton Ngayogyakarta Hadiningrat can be understood as a cultural text that serves to preserve philosophical teachings and strengthen cultural identities, both of which remain relevant to society.
Serat Pasindhen Bedhaya Mintaraga, A. Teeuw’s semiotics, cultural code
The Personality of the Main Characters in Wacan Bocah by S. Wahyuni Adi: A Sigmund Freud Psychoanalytic Study
Studies examining the personality structure of main characters in Javanese children's literature remain limited, particularly in revealing the psychological values embedded in children's stories. The study aims to analyze the main character’s personality in the wacan bocah Penulis Cilik and Nggawe Kebun Sayur by S. Wahyuni Adi, using Sigmund Freud’s psychoanalytic approach, which encompasses three elements of personality: the id, the ego, and the superego. The method used is a qualitative descriptive approach, employing data collection techniques such as literature reviews and documentation. The data were analyzed using content analysis. The data used included dialogue, narration, and character actions. The study's findings indicate that the id element is evident in the characters’ desires, such as their aspirations and their need to achieve self-satisfaction. The ego element reflects the characters’ ability to adapt to social situations. The superego element is evident through the influence of values related to discipline, ethics, and social responsibility. These findings indicate that S. Wahyuni Adi’s work not only offers stories for entertainment but also explores complex psychological dynamics relevant to children’s literature research. This study contributes to the development of literary psychology studies, particularly regarding the formation of children’s characters in Javanese-language literature.
children’s literature; personality; psychoanalysis, wacan bocah, Javanese literature
This study is motivated by concerns regarding the erosion of character among the younger generation, resulting from the disconnect between formal education and local wisdom in the era of globalization. To address this issue, the study aims to identify and analyze the integration of ethnopedagogical elements into the narrative of *Serat Centhini*, thereby contributing to the theoretical understanding of culture-based learning models. Employing a qualitative method with a textual analysis approach and an ethnopedagogical theoretical framework, the text is examined in depth to explore its narrative structure and character dialogues. The findings reveal that *Serat Centhini* effectively integrates moral teachings, ethics, and local knowledge, manifesting them into eight traditional educational values: family, responsibility, spirituality/religion, social consciousness, discipline, resilience, honesty, and fighting spirit. Consequently, this study underscores the importance of reconstructing traditional literary works as a medium for character education that is both relevant and contextual for the current generation.
ethnopedagogy; Serat Centhini; Javanese literature; traditional values; character education
Psychosufistic Dimensions of Serat Sastra Gendhing: A Hermeneutic Study of Javanese Spiritual Psychology
Serat Sastra Gendhing, a didactic Javanese literary source written by Sultan Agung Hanyakrakusuma, combines Sufi Islamic and indigenous Javanese spiritual thought. This research wishes to expose the psycho-sufistic values found in Serat Sastra Gendhing, and discuss their relation with transpersonal psychology. The research employs a qualitative method with an interpretive-hermeneutic approach through library research on three main manuscript versions. The analysis was conducted thematically on eight macapat poetic forms supported by psychological and Sufi theories. The results show that Serat Sastra Gendhing contains three central psycho-sufistic values: (1) existential awareness through sangkan paraning dumadi, which reflects the origin and purpose of human life; (2) self-control through aja dumeh and eling lan waspada; and (3) cosmic awareness through memayu hayuning bawana, which emphasizes harmony between humans, nature, and God. These three values represent the stages of spiritual consciousness development aligned with the concepts of self-awareness, self-regulation, and self-transcendence in transpersonal psychology. The study concludes that Serat Sastra Gendhing is a psycho-sufistic work that integratively unites Islamic spirituality, psychology, and Javanese culture.
Copyright (c) 2025 Sutasoma : Jurnal Sastra Jawa https://creativecommons.org/licenses/by-sa/4.0
Deconstructing Phatic Particles in Javanese: A Case Study of the Film Tilik (2018)
This study aims to describe the forms and functions of phatic particles in Javanese as used in the film Tilik (2018), directed by Wahyu Agung Prasetyo. Phatic particles are linguistic elements that function to maintain social relationships and express the attitudes of both speakers and interlocutors. These particles reflect the values of politeness, familiarity, and social harmony as expressed in everyday speech. The research employs a qualitative descriptive method with a pragmatic approach, drawing on Kridalaksana’s (2008) theory of phatic functions and Leech’s (1983) framework of practical functions. Data were obtained from Tilik's (2018) transcript and analyzed based on contextual and pragmatic meanings. The findings reveal seven types of phatic particles used by the characters, namely to/ta, lha ya, lho ya, kok, mbok, and je. Among them, to/ta and lho ya are the most frequently used, functioning to emphasize information and build mutual understanding. The particle kok expresses surprise or mild disagreement, while mbok is used to give advice or polite admonition. The particle je serves as a gentle marker of emphasis and social closeness. Overall, phatic particles play a crucial role in maintaining politeness, strengthening social solidarity, and representing the communicative, respectful, and harmonious character of Javanese society. This study affirms that language is not only a medium for conveying messages but also a vehicle for shaping cultural values and social identity.
Contrastive Analysis of Javanese and Japanese Speech Levels as a Form of Politeness Learning Among the Younger Generation
The purpose of our research is: (1) to provide and add references related to the contrastive levels of speech in Javanese and Japanese, (2) to explain the differences in the levels of speech in Javanese and Japanese, (3) to introduce politeness to the younger generation through the use of good and correct language. The research method we used was a literature study by prioritizing the results of the analysis of a reference as a reference for the writing data from the research we conducted. The results of the study show that: 1) Javanese and Japanese both have levels of speech in their use as daily communication tools as a form and parameter of politeness. 2) Javanese recognizes the level of speech in Javanese which is divided into four language varieties, namely, Ngoko lugu (Nl), Ngoko alus (Na), Krama lugu (Kl) and Krama alus (Ka). The level of speech in Japanese is classified into three parts and is used by considering the age or social strata of the interlocutor, how close or familiar the speaker is with the interlocutor, and paying attention to Uchi and Soto. Keego is divided into three parts, namely, Sonkeego (Sk), Kenjoogo (Kj), Teeneego (Tn). 3) Speech levels are introduced and passed down through examples of everyday life and through learning.
The Author's View of Child Parenting in the Nadham Nasihat Manuscript by Muhammad Rasyid
The research was motivated by the importance of studying manuscripts as cultural heritage that convey moral educational values, especially regarding child-rearing patterns in the family. The object of the study was the Nadham Nasihat Manuscript by Muhammad Rasyid, which contains teachings or guidance on life, especially within the family sphere, written in the form of Nadham in Arabic Pegon script. An objective approach was used in this study, treating the text as a complete, autonomous work. Hermeneutic theory was used to interpret each author's intent and purpose according to Schleiermacher's hermeneutic concept, which was applied to analyze grammatical and psychological aspects and to interpret the advice in the verses of the Nadham Nasihat manuscript. The study found that the verses of advice in Nadham Nasihat reflect the author's views on child-rearing: parents must avoid being stingy and selfish, are obliged to teach manners to their children, and must marry off their children when they are old enough. This demonstrates that the verses in each piece of advice in the manuscript relate to the author's thoughts and express concern about the family's low moral order. The values in the manuscript are deemed relevant for parents in providing good parenting for their children in today's modern world.
Nadham Nasihat, objective, hermeneutics, thought, parenting
Simile Language Style in the Text of Babad Tanah Jawi Balai Pustaka Version
This stylistic study focuses on the form and function of simile motifs found in the Balai Pustaka edition of Babad Tanah Jawi, Volume 1. The primary emphasis is on recognizing the kinds of simile motifs employed and their artistic and rhetorical purposes. The method used was a qualitative descriptive approach, involving reading and recording data from the text, which was then analyzed using distribution and correspondence techniques related to the theory of simile as a figure of speech. The findings reveal that among the 54 analyzed data points, six prevalent simile motifs emerged: (1) depicting beauty, (2) signaling effects, (3) enhancing character, (4) visualizing objects, (5) conveying inner emotions, and (6) portraying chaos or scale. The prevailing simile language is lir, showcasing a conventional trend in Javanese classical literary analogies. Similes in the text serve as both artistic elements and tools that enhance meaning and create vivid imagery of characters and situations. This research validates the crucial function of similes in influencing the expressive and artistic strength of classical Javanese literature.
analogy, theme, literary style, Babad Tanah Jawi, Javanese writing
Representation of Poverty in the Novel Krikil Krikil Pasisir by Tamsir AS
Poverty is a complex social phenomenon that affects various aspects of people's lives, including its representation in literary works. This study aims to describe the portrait of poverty in Tamsir AS's novel Krikil-Krikil Pasisir using a sociological approach. This approach views literary works as a reflection of the social structure and dynamics of the society within which they live. This study uses Ian Watt's sociological theory of literature using semiotic reading techniques. Primary data was obtained from the narrative text in the novel, while secondary data came from supporting scientific references. This reading method enters the data analysis stage, and interpreting the data requires an understanding of social and cultural literary codes. The results show that poverty is represented as a structural reality that influences thought patterns, behavior, and relationships between characters. The unequal social relations between coastal communities and certain dominant ethnic groups give rise to resistance and latent conflict. The characters in the novel experience moral dilemmas that demonstrate the complexity of human values within limited situations. Thus, this novel not only conveys individual stories but also speaks to the social crisis of Indonesia's marginalized communities.
Poverty; Ian Watt's Sociology of Literature; Krikil-Krikil Pasisir Novel
Pilkades as A Political Representation of Village Society in the Novel Desa Sajeroning Ombak
Literature and politics are an interesting combination. Not only as entertainment, but literature is also a means of critiquing societal issues. Desa Sajeroning Ombak is one of Sela Istighfari's novels that describes the process of community politics in the village and the conflicts that arise during its implementation. Therefore, this study aims to identify (1) the forms of political conflict during village elections, and (2) the factors causing political conflict during village elections in the novel Desa Sajeroning Ombak. This study employs a mimetic approach and utilizes Ian Watt's literary sociology theory as its theoretical framework. The data collected includes characters, plot, and setting sourced from the novel Desa Sajeroning Ombak by Sela Istighfari. The analysis was conducted using hermeneutic techniques. The findings show that the village head election process in the novel Desa Sajeroning Ombak involves three forms of conflict: (1) conflict between individuals, between Pak Surya and Haidar; (2) conflict between groups, between traditional fishermen and industrial workers; and (3) conflict between the village government and the village community. In addition, the factors causing the conflicts are (1) competition, (2) differences in interests, (3) loss of public trust, and (4) natural disasters. In the implementation of the village head election, the conflicts that arise cause divisions within the community.
Names of Javanese Generation Z and Alpha in Patemon Village, Tengaran Subdistrict, Semarang Regency
A name is an element of identity that is not only personal but also reflects the social, cultural, and historical background of its owner. The Javanese people's practice of giving names to their children undergoes significant changes from one generation to the next. This study aims to determine the pattern of Javanese names, particularly among Generation Z and Alpha in Patemon Village, Tengaran Subdistrict, Semarang Regency. This research method employs a descriptive qualitative approach, utilizing data collection techniques that include interviews, observation, and literature review. Data analysis for this research was conducted through the stages of data reduction, data presentation, and conclusion. The results of this study show that the variation in the names of Generation Z and Alpha in Patemon Village, Tengaran Subdistrict, Semarang Regency, still retains full Javanese language elements, amounting to as much as 8% and combining Javanese elements with foreign languages as much as 47%, with the combination of Javanese and Arabic elements dominating as much as 65%, English elements 15%, Latin elements 10%, Spanish / Portuguese 5% and other language elements 5%. Then, those who use foreign language elements in full are 45%, with Arabic elements accounting for 70%, English elements for 20%, Latin elements for 5%, German elements for 3%, and other language elements for 2%. The implication of this study is the need for an in-depth examination of the sustainability of Javanese cultural heritage in terms of personal naming practices.
Tanduk Prayer in a Traditional Event in Sendangcoyo Village, Lasem District, Rembang Regency: An Ethnolinguistic Study
Tanduk is a series of activities carried out before the start of a traditional ceremony to bring blessings. This study uses an ethnolinguistic approach to examine the recitation of tanduk prayers as a verbal expression in the traditional ceremonies of the Sendangcoyo Village community, Lasem Subdistrict, Rembang Regency. The tanduk prayer is a conventional form of speech rich in spiritual, symbolic, and local cultural content. The research method used is qualitative descriptive, with data collection techniques including observation, interviews, and documentation. The primary data consists of the text of the tanduk prayer obtained from local traditional figures, which was then analyzed using an ethnolinguistic approach. The study results indicate that the tanduk prayer has a distinctive linguistic structure, consisting of Javanese krama sentences with a repetitive style. The primary function of this prayer is as a medium for requesting safety and spiritual protection during traditional rituals. Additionally, the tanduk prayer contains local knowledge systems regarding life after death, spiritual hierarchy, and the relationship between humans, nature, and ancestors. Through this tanduk prayer, the community collectively builds awareness of the values of life that have been passed down through generations. Thus, the tanduk prayer is a religious practice and a living archive of the spirituality and cultural identity of the Sendangcoyo community.
Semantic Analysis of the Sinjab Language in Relation to the Javanese Language in Batang
The Sinjab language is a local slang variety spoken in Batang that reflects the cultural and social identity, as well as the creativity, of the local community. However, it currently faces the risk of extinction due to a lack of documentation and intergenerational transmission. This study aims to identify how the Sinjab language is used in the daily routines of the Batang community and to analyze the semantic meanings of Sinjab vocabulary in Javanese. This study employs a descriptive qualitative method using participatory observation, interviews, and documentation with active speakers of the Sinjab language. Data were obtained from primary sources through direct interaction within the community as well as from secondary sources such as YouTube videos and posts by local communities. The research findings indicate that the Sinjab language possesses a unique lexical structure through word-formation processes such as metathesis, phoneme addition, and borrowing elements from other languages. Sinjab vocabulary exhibits semantic relationships—such as synonymy, antonymy, metaphor, and idiomatic expressions—that are not found in Standard Javanese. Furthermore, observations reveal a significant decline in its use, which is now limited to specific social groups, such as punks or marginalized individuals. This study underscores that documenting and revitalizing the Sinjab language are essential to preserving the continuity of this nearly extinct regional cultural heritage.
Bahasa Sinjab, Semantik, Bahasa Jawa, Pelestarian Bahasa, Slang Lokal
Jancuk as an Expressive Speech Act: a Sociolinguistic Study in Non-Javanese Speakers
The word “jancuk” is a form of speech often used in daily conversation, especially in the Arekan dialect spoken in some regions of East Java, such as Surabaya, Malang, and Lumajang. However, in the development of language, this speech is also adapted by non-Javanese speakers with various communication functions, such as in West Java, to be the origin of the Sundanese people, as well as outside the island of Java. This study aims to analyze “jancuk” as an expressive speech act, particularly in the sociolinguistic context of non-Javanese speaking communities. Using a sociopragmatic qualitative approach, this study examines the use of “jancuk” speech in social interactions and how it functions as an expression of emotions, solidarity, and group identity by identifying the instances of “jancuk” use. The results of the study showed that the expression “jancuk” experienced a shift in meaning when used by non-Javanese speakers, with a more flexible application in various communication situations.
Ancient Manuscript Textology in the Archipelago: A Comparative Analysis of Objects, Languages, and Methods in Philological Studies
The urgency of this research is to preserve and understand the manuscripts of the archipelago's heritage, which contain a wealth of historical, religious, and cultural values. This research aims to present a textological approach in examining the diversity of ancient manuscripts in Indonesia and their significance for the preservation of local cultural heritage. The research was conducted using qualitative methods, including literature studies that employed a textual approach, such as inventorying, manuscript description, classification, comparison, and textual criticism, to determine the original manuscript. The analysis focused on the structure, language, social context, and cultural values in each manuscript. The study's results reveal complex functions, with a predominance of Islamic elements, as evidenced by the use of Arabic and Arabic-Malay. In addition, contributions from local scripts and languages such as Old Javanese were also found, which reinforce the diversity of the archipelago's manuscripts. Linguistic diversity is a characteristic of the ancient manuscripts studied in this research, including those in Arabic, Javanese, Sundanese, Ulu, and Malay. The diversity of scripts and functions of manuscripts. The heterogeneity of scripts and functions of manuscripts requires the strengthening of textology, which is measured by uniform transliteration, editing notes, and computer collation so that the determination of the master manuscript is more effective and accurate. Thus, for preservation and utilization, prioritize risk-based conservation (including iron-ink manuscripts), digitize minor manuscripts to maintain a balanced collection, align data with the national registry through digitization, and use the results as open learning resources and to strengthen literacy
Sanggit Lakon Carangan: Semiotic Analysis of Bagong Figures in the Ki Seno Nugroho Puppet Show
Wayang kulit rose and became the prima donna through the play of the character Bagong by Ki Seno Nugroho on social media. This article aims to analyze the role and meaning of Bagong in the play of wayang kulit by Ki Seno Nugroho through a semiotic approach. Ki Seno Nugroho can bring the character of Bagong to life, not only playing a comedic role but also voicing social criticism and the values of people's wisdom. Roland Barthes' semiotic analysis method examines data in the form of signs and meanings formed in dialogues, gestures, expressions, and scenes involving Bagong. This method consists of two levels, namely denotation (literal meaning) and connotation (cultural and ideological meaning). The semiotic approach was chosen because of its relevance in unraveling the layers of meaning of a cultural text to reveal deeper cultural and ideological implications as well. The data source was taken from the video documentation of Ki Seno Nugroho's performance on the Dalang Seno YouTube channel with the plays Bagong Ratu and Semar Mbangun Kayangan. The results of the analysis show that (1) Bagong plays a role as a representation of the common people, (2) Bagong serves as a medium of symbolic resistance to social inequality, and (3) Bagong serves as a communicative and entertaining conveyor of local wisdom. This study confirms the position of Punakawan as an important narrative device in the play of Javanese puppetry.
wayang kulit; Ki Seno Nugroho; Bagong; Punakawan; semiotics
A Comparison of Cognate Dialect Features in Javanese, Sundanese, Cirebon, and Indramayu
This study aims to identify cognates based on form and meaning among Javanese, Sundanese, Cirebon, and Indramayu vocabularies and analyze their dialectal relationships. Using a list of one hundred Swadesh vocabulary items sourced from dictionaries of the four languages, the data were phonetically transcribed and compared to identify shared lexemes. Dialectometric analysis was then applied to quantify lexical distances and classify dialectal relationships. The findings show that the four languages share 28 cognates and exhibit varying degrees of linguistic proximity: Javanese and Cirebon show the closest relationship, while other pairs are classified as distinct dialects. While the study integrates qualitative and quantitative approaches and contributes insights into less-studied dialects such as Cirebon and Indramayu, it is limited by its reliance on secondary data and lack of fieldwork. Future research should incorporate direct elicitation from native speakers, phonological correspondence analysis, the etymological distinction between cognates and loanwords, and sociolinguistic and geographical mapping to deepen the understanding of dialectal variation in Java
dialectology, cognate, dialectometry, Javanese, Sundanese, Cirebon, Indramayu
Bima Suci and the Modern Human Existential Crisis: A Philosophical Study of Ki Manteb Sudarsono’s Wayang Kulit Performance
Amid the identity crisis of modern humans due to the dominance of digital culture and globalization, the wayang kulit performance of Bima Suci by Ki Manteb Sudarsono presents a sustained philosophical reflection on the meaning of life, an epistemology of praxis, and spiritual transformation. This study aims to analyze the philosophical meaning contained in the play using qualitative methods and a systematic-reflective philosophical approach. Primary data derive from a video documentation of Ki Manteb’s performance on the Donkgedank YouTube channel (2018), supplemented by Javanese philosophical literature and relevant scholarship. The findings demonstrate that this performance highlights the teachings of Sangkan Paraning Dumadi (the origin and ultimate purpose of existence), an epistemology of praxis (knowledge gained through lived experience), and Bratasena’s transformation into a spiritually mature self. This philosophical message is particularly relevant for modern humans facing existential alienation in the digital era, suggesting that wayang kulit serves not merely as a spectacle but as a contemplative medium for rediscovering an authentic sense of self.
Reactualization of the Serat Menak Lare in the Wangsalan Sindhenan Srambahan
This study discusses the process of making Wangsalan Sindhenan Srambahan, which is based on the Menak story. Menak's story is one of the most popular stories in Java, and it has been adapted into wayang and dance performances. Of the many performances related to menak stories, the cakepan wangsalan sindhenan has not been found, which is an essential element when accompanying menak performances. Research about Wangsalan menak stories is expected to contribute to menak story performances. This qualitative research uses descriptive analysis methods and the transfer of vehicles method. Data were collected through literature studies and paramasastra processing. The data analysis technique used is the reciprocity of data from document studies with Paramasastra. The results of this study are Wangsalan Srambahan from Menak stories, which can be used as a reference when accompanying Menak-themed performances.
wangsalan menak; sindhenan srambahan; menak; anusthub
Suluk Linglung: Sufi Aphorism of Sunan Kalijaga
Suluk Linglung Sunan Kalijaga is a literary work not widely known to the general public. This Suluk reflects Sunan Kalijaga’s comprehensive religious experience; it is his aphorism in expressing thoughts and ideas. Suluk Linglung tells of Sunan Kalijaga’s anxiety regarding spiritual journeys. The research method applies a hermeneutic approach with the help of philological theory. The primary data source is Suluk Linglung's text, which was translated by Kasri in 1993. The data collection technique uses literature study, while data analysis involves the stages of identification, clarification, hermeneutic, and contextual analysis. The study results found that Suluk Linglung emphasizes the science of nature more. Suluk Linglung places more emphasis on the science of nature. Its principles are based on the stage (maqam) in the Sufi tradition, which ends with the Insan Kamil phase. The first stage is the “preparation” phase, emphasizing the dimensions of consciousness within humans. The second stage, the process phase from exoteric to esoteric, is an effort to search for the essential sciences. In the third stage, the journey to Al Khalq, to achieve the science of hidayat, he met the Prophet Khidzir (inner teacher), who taught the science of hidayat. The fourth stage is Insan Kamil, where he has gained faith. Hidayat reached the tajalli phase. Search for the essential sciences. The third stage, the journey to truth, or from being to al-Khalq, is an effort to achieve the Science of Hidayat. He met the Prophet Khidzir (inner teacher), who taught the science of Hidayat. The fourth stage is Insan Kamil, where he has gained Faith in this phase. Hidayat reached the Tajalli phase.
Keduk Beji Tradition: The Roots of Implementing Deep Ecology Environmental Ethics in Tawun Village
To preserve the environment and culture, the people of Tawun Village in Ngawi Regency routinely carry out the Keduk Beji tradition once a year. This tradition is an annual ritual to clean Sendang Tawun, which aims to maintain ecological balance and prevent the emergence of disasters or plagues. The routine of the Tawun community in carrying out this tradition is based on the oral tradition of “the legend of Sendang Tawun” regarding the origin of Tawun Village. The existence of a tradition that is closely related to the environment has a significant impact on the ecological balance in Tawun Village. This study aims to (1) describe the correlation between Keduk Beji tradition and the legend of Sendang Tawun, (2) describe the procession of the Keduk Beji tradition, and (3) describe the implementation of deep ecology environmental ethics in the Keduk Beji tradition. This research is qualitative research with the object of study being the Keduk Beji oral tradition carried out in Tawun Village, Ngawi Regency. The method used in this study is ethnography, which provides a comprehensive understanding of the impact of implementing the Keduk Beji tradition. Data collection techniques are done through interviews, observations, and documentation studies. The study results show that the Tawun community applies environmental ethics (principles of deep ecology), which are guided by the values ​​inherited from their ancestors. This study distinguishes between empirical reality in the form of cultural practices of the community in the Keduk Beji tradition and ideal values contained in the principles of deep ecology as a reference in environmental conservation.
oral tradition; keduk beji; environmental ethics; deep ecology
Criminal Hegemony in the Novel Lodan saka Segara Kidul by Kukuh S. Wibowo: Gramsci's Perspective
The connection between thuggery and power gives rise to a new face of politics laden with criminal hegemony. This concept is vividly depicted in the Javanese novel Lodan saka Segara Kidul (LSSK) by Kukuh S. Wibowo. Through a mystery-driven narrative, the novel exposes the transformation of Rahsana, a criminal gang leader, who changes his name to Hendarsa Prabancana and reinvents himself as a politician using slick yet effective hegemonic strategies. This research aims to reveal the representation of criminal hegemony in LSSK by Kukuh S. Wibowo through the lens of Gramsci’s theory, supported by other theories such as the normalization of crime, political oligarchy, self-image management, and more. The study employs a descriptive-qualitative method, emphasizing content analysis and literature review to examine novel narratives. This approach aims to identify forms of criminal hegemony, strategies for transitioning from crime to politics, and their societal impact. The findings demonstrate that Rahsana/Hendarsa utilizes wealth acquired through crime, money politics, and public image-building to gain legitimacy and maintain power. Hegemony does not manifest solely through physical domination but also through ideology that infiltrates social structures. These findings reflect how criminal practices can adapt within democratic systems and become part of legitimate political frameworks. This research contributes to enriching the study of Indonesian crime fiction while opening a critical discourse on the relationship between crime, politics, and the legitimization of power.
Philological Studies and Discussion of Human Obligations in the Manuscript of Raos Jawi Panêmbah Gangsal Prakawis
The Raos Jawi Panêmbah Gangsal Prakawis manuscript is an ancient manuscript that contains human obligations worldwide. This text is interesting to research because it presents the concept of obligation from the perspective of Islamic teachings, which is integrated with the cultural values ​​of Javanese society. This research, which examines ancient Javanese manuscripts, aims to present the Raos Jawi Panêmbah Gangsal Prakawis manuscript through philological studies and explain the contents of the text regarding human obligations. This research uses modern philological and descriptive research methods. Research data was collected through philological research steps: manuscript inventory, manuscript description, text transliteration, text editing, text paraphrasing, and text translation. Data were analyzed using descriptive analysis techniques. The research results showed that (1) one copy of the manuscript was found; (2) the condition of the manuscript is good and the text can be read clearly; (3) transliteration results in the transfer of Javanese script to Latin; (4) there are four errors in writing the text; (5) paraphrasing produces text in the form of gancaran; (6) there are three categories of human obligations, namely absolute obligations towards God and the Messenger, general obligations towards kings, and positive obligations towards teachers and parents.
philological; human obligations; Raos Jawi Panêmbah Gangsal Prakawis manuscript
The Desire to Become a Chosen Woman in Sěrāt Mějang Dhatěng Garwa R.P. 366.45
Sufism as a divine teaching is present in various Javanese literary works, one of which is Serat Mejang Dhateng Garwa R.P. 366.45, a macapat text that is part of the serat piwulang, containing the advice of a father to his daughter. Despite its didactic nature, this text is rich in Sufi values that guide women as active subjects toward the perfection of life and closeness to the Divine. This process of inner education aligns with the concept of suluk or the spiritual journey toward God, giving the text a spiritual didactic dimension. This study aims to understand how the father's advice to his daughter is conveyed, the strategies used, and how women are positioned as chosen figures. The research method used is qualitative with a Lacanian psychoanalytic approach to gender. The results show that in the text, the song serves as a medium for conveying messages; women are positioned as subjects who recognize their shortcomings to fulfill their spiritual needs. The title represents the symbolic relationship between the prologue (husband) and the content (wife). At the same time, the daughter as a subject relates directly to the mother and indirectly to the father. This text represents Sufi values and gender awareness within the aesthetics of macapat.
women, subject, suluk, tembang macapat, the real
Perbandingan Dialek Bahasa Jawa Pemalangan Desa Wanarejan Utara dan Desa Randudongkal Kabupaten Pemalang: Kajian Linguistik Kontrastif
This study compares the phonology and lexicon of the Pemalang Javanese dialect as spoken by the communities in Wanarajen Utara and Randudongkal villages, located in Pemalang Regency, Central Java. Phonological and lexical analyses are employed to investigate the linguistic variations within the Pemalang Javanese dialect. Data collection was carried out using interviews, observation, and note-taking methods. The results are presented using a qualitative descriptive approach, providing accurate and factual descriptions through narrative explanations based on real-life observations in the research. In identifying the dialectal differences between the two villages, contrastive linguistics and geolinguistics methods were applied. The findings reveal several phonological and lexical differences influenced by factors such as topography, social interaction, and migration. For instance, the word for [tree] in Randudongkal is [wit] with the vowel /i/, while in Wanarajen Utara, it is pronounced as [wet] with the vowel /e/. Lexically, the word for [pants] differs between the two regions: Wanarajen Utara uses [suwal], whereas Randudongkal uses [katok]. This study provides insights into the dialectal variation within the Javanese language in Pemalang Regency and may serve as a reference for further studies on Javanese dialectology.
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Dominasi dan Hegemoni dalam Cerkak Nglari Nakagawa Karya Suparto Brata
Colonization in Indonesia has been going on for centuries. One of the cruelest forms of domination was that of the Japanese in the Dutch East Indies (Indonesia's name at the time). Over time, Japan became a nightmare that haunted society. This domination goes hand in hand with hegemony as a strengthening of power. This is reflected in a literary work, namely the cerkak entitled Nglari Nakagawa by Suparto Brata. From this discussion, it is hoped that Japanese domination and hegemony can be known and that Nglari Nakagawa can be proven as postcolonial literature. To dissect the story, Gramsci's theory of hegemony is used, supported by other theories, such as orientalism, mimicry, subaltern, and others. The analysis results show that the domination and hegemony carried out by the Japanese caused side effects in the form of mimicry, othering, and subaltern performed by the natives by taking the example of the colonizers. Related to the Japanese rule, the hegemony that prevails in society cannot be concluded equally, but it varies among individuals due to differences in colonization experiences. Looking at the content of Nglari Nakagawa's cerkak, it can be classified as a postcolonial work, one of which is shown by Nakagawa's anomalous existence trying to defy the dominant stereotypes in society.
postcolonialism, suparto brata, gramsci, hegemony and domination