Articles

The Strong Male Dance Learning Evaluation at SMK Negeri 8 Surakarta in the Post-COVID-19 Pandemic

Chrisan Tiyansa, Usrek Tani Utina

115-126 |

Mahardika Dance Creation Process

I Wayan Sutirtha, Hendra Santosa, Tudhy Putri Apyutea Kandiraras

127-133 |

The Characteristic Analysis of Characters in Gatotkaca Gandrung Dance by R. Ono Lesmana Kartadikoesoemah

Sarah Sampepadang, Trianti Nugraheni, Putri Lilis Dyani

134-144 |

The Process of Creating Mundong Dance in Sukoharjo Regency

Agnes Aprilia Rahayu, Widodo Broto Sejati, Indriyanto Indriyanto

145-151 |

Batin Dance from Ritual to Performing Arts in Liwa Community West Lampung Regency Lampung Province

Nur Sintia, Erlinda Erlinda, Surherni Surherni

152-165 |

Symbolic Study- Representation in Nyongsong Dance

Widyanarto Widyanarto, Febrianti Febrianti, Mega Lestari Silalahi

166-174 |

Gambyong Lengger Dance in the Lengger Graduation Ritual Ceremony in Giyanti Helmet Wonosobo Regency

Kristina Dwi Handayani, Sestri Indah Pebrianti

175-183 |

Community Perception of Kuda Lumping Art in The Simpang Kiri Sub-District Subussalam City

Mifta Rahmawati, Maimun Maimun, Hasbi Ali

184-191 |

The Form and Development of Jaran Kepang Dance in the Langen Budi Sedyo Utomo Association from 1996-2018

Lukluil Maknun Al-izza, Eny Kusumastuti

192-200 |

The Organology of Pencak Silat and Reog Ponorogo Dance

Septa Dwi Saputro, Anggono Kusumo Wibowo

201-207 |