Laras concept and its triggers: A case study on garap of jineman Uler Kambang
(1) Postgraduate, Institut Seni Indonesia Yogyakarta, Indonesia
(2) Postgraduate, Institut Seni Indonesia Yogyakarta, Indonesia
(3) Postgraduate, Institut Seni Indonesia Yogyakarta, Indonesia
Abstract
Laras is one unresolved aesthetic concept and gendhing garap models as the triggers have not been identified yet either. This paper is a case study which discusses a case of jineman garap Uler Kambang pélog lima, the first winner of Sindhèn Idol contest 2012, which is considered to have the most qualified performance to meet laras criteria. The purpose of this research is to figure out the laras concept construction and identify the gendhing garap models as its triggers. Laras concept reconstruction within the aesthetic framework of Javanese karawitan and identification of gendhing garap model are discussed based on concept of garap in Javanese karawitan. This research uses a qualitative-descriptive method. The results show that laras is a beautiful, delicate, and deep karawitan sense containing elements of mat, lega, betah, adhem, ayem, tentrem, jinem, sengsem, and marem. The triggering gendhing garap models include: garap of leres, rempeg, greget-urip, and sarèh-sumèlèh.
Keywords
Full Text:
PDFReferences
Alfian, T. I. (2003). Dimensi Teori dalam Wacana Ilmu Pengetahuan. Yogyakarta: ISI Yogyakarta.
Benamou, M. (1998). Rasa in Javanese Musical Aesthetics. Dissertation. Michigan: The University of Michigan.
Brinner, B. (1995). Knowing Music Making Music Javanese Gamelan and The Theory of Musical Competence and Interaction. Chicago: The University of Chicago Press.
Budiarti, M. (2013). Konsep Kepesindenan dan Elemen-elemen Dasarnya. Harmonia: Journal of Arts Research and Education, 13(2), 147-156
Hastanto, S. (2009). Konsep Pathet dalam Karawitan Jawa. Surakarta: ISI Surakarta Press.
Hastanto. (2009). Penelitian PengertianKonsep Embat dalam Karawitan Jawa. Paper presented on conference. ISI Surakarta, Surakarta.
Marianto, M. D. (2011). Menempa Kuanta Mengurai Seni. Yogyakarta: ISI Yogyakarya.
Martapangrawit. (1975). Pengetahuan Karawitan. Surakarta: ASKI Surakarta.
Perlman, M. (1993). Unplayed Melodies Music Theory in Post Colonial Java. Dissertation. Wesleyen: Wesleyen University.
Rohidi, T. R. (2011). Metodologi Penelitian Seni. Semarang: Cipta Prima Nusantara
Rustopo. (2000). Bangun Jatuh Industri Rekaman (musik) Gendhing Karawitan Jawa. Jurnal Ilmu dan Seni, 2(2).
Sedyawati. (2006), Budaya Indonesia Kajian Arkeologi, Seni, dan Sejarah. Jakarta: Raja Grafindo Persada.
Soetarno, Sunardi, & Sudarsono. (2007). Estetika Pedalangan. Surakarta: CV Adji.
Sukamso. (1992). Garap Rebab, Kendhang, Gendèr, dan Vokal dalam Gendhing Bondhet. Research Report. Surakarta: STSI Surakarta.
Sumarsam. (2003). Gamelan, Interaksi Budaya dan Perkembangan Musikal di Jawa.Yogyakarta: Pustaka Pelajar.
Juslin, P. N. (2013). What does music express? Basic emotions and beyond. Frontiers in Psychology, 4, 596.
Merrieam-Webster. (N.d.). Concept | Definition of Concept by Merriam-Webster. Retrieved June 6, 2017, from https://www.merriam-webster.com/dictionary/concept
Suharto. (2013). Suara Emas dari Unnes Sinden Contest (Sinden Idol).FLV - YouTube. Retrieved June 6, 2017, from https://www.youtube.com/watch?v=4Cb7nw1tfhU
Suharto, S. (2016). Banyumasan Songs As Banyumas People’s Character Reflection. Harmonia: Journal of Arts Research and Education, 16(1), 49-56.
Supanggah, R. (2002). Bothekan Karawitan I. Jakarta: MSPI.
Supanggah, R. (2009), Bothekan Karawitan II: Garap. Surakarta: PPS ISI Surakarta & ISI Surakarta Press.
Suwardi, A. L. (2000). Teknik Tabuhan dan Tutupan Gender. Surakarta: STSI Surakarta.
Waridi. (2002). Jineman Uler Kambang: Tinjauan dari Berbagai Segi. Dewa Ruci, 1(1), 126-130.
Widada. (2001). Kamus Basa Jawa (Bausastra Jawa). Yogyakarta: Kanisius.
Winter & Ranggawarsita. (1994). Kamus Kawi-Jawa.Yogyakarta: Gadjah Mada University Press.
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.