Teak Trees as Source of Inspiration for Developing Batik Motifs

Mulyanto Mulyanto(1), Lili Hartono(2), Endri Sintiana Murni(3), Endang Sri Handayani(4), Desy Nurcahyanti(5),


(1) Universitas Sebelas Maret, Indonesia
(2) Universitas Sebelas Maret, Indonesia
(3) Universitas Sebelas Maret, Indonesia
(4) Universitas Sebelas Maret, Indonesia
(5) Universitas Sebelas Maret, Indonesia

Abstract

Many batik motifs have been developed in various regions, inspired by various local resources such as plants, animals, regional icons, cultural arts, etc. The objective of this study is to look for ideas in the form of teak leaves and flowers that can be developed into batik and textile motif designs. The descriptive qualitative, literature review, participatory follow-up study, focus group discussion method, and the development of craftsman creativity were all used to achieve these goals. The study took place at the Jalidin batik craft shop in Sragen. Teak plant objects, motif designers, batik craftsmen, and libraries were among the data sources. The findings of the study were the motifs in the form of teak leaves and flowers, which could be used as master designs for both batik and textiles. Then the shape of the teak leaves and flowers are arranged in various compositions to produce several designs, and the batik motif designs are applied to jarit-patterned batik, long-sleeved shirt-patterned batik, and textile/printed batik. The resulting motifs were then produced into batik according to the economic class projections of the consumers, namely the consumer’s economic class projections, using prima and primissima cloths, combination and writing techniques, synthetic and natural dyes, and synthetic and natural dyes. In addition, the motifs were produced into printed textiles/batik. Batik cloths and textiles that have been produced are then made into shirts.

Keywords

teak leaves, teak flowers, motifs, batik, textiles

Full Text:

PDF

References

Bates, K. (1960). Basic Desain Principle and Practice. Canada: Nelson, Foster and Scott Ltd.

Doellah, S. (2002). Batik: The effects of age and environment. Surakarta: PT Batik Danarhadi.

Gumulya, D. & Liony A.L. (2018). Pencarian Identitas Desain Lampu Gentur Cianjur dengan Pendekatan Teori Semiotik. Mudra, Jurnal Seni Budaya, 33(1), 35-47.

Gustami, S.P. (2008). Uji Teori Trilogi Keseimbangan dengan Metode Tiga-Tahap Enam-Langkah Penciptaan Seni Kriya di Kalangan Mahasiswa. PT Seni di Indonesia. Yogyakarta: Kriya Fakultas Seni Rupa Department, Institut Seni Indonesia Yogyakarta.

Hamzuri. (1981). Batik Klasik. Jakarta: Djambatan.

Hartono, L. & Mulyanto (2020). Gajah purba sebagai ide pengembangan motif batik Sragen. Dinamika kerajinan dan batik, majalah ilmiah. 37(1), 1-14.

Honggopuro, K. (2002). Bathik sebagai busana dalam tatanan dan tuntunan. Solo: Yayasan Peduli Karaton Surakarta Hadiningrat.

Ismia, U. N., Na’am, F., & Nazwan, A. P. (2021). Penciptaan Motif Batik Sumber Ide dari Ornamen Masjid dan makam Mantingan. Fashion and Fashion Education Journal, 10(1), 19-23.

Ju-Young M.K., Kim K.P.J., & Jieun K. (2013). “Clothing functions and use of clothing to alter mood”, International Journal of Fashion Design, Technology and Education, 6(1), 43–52, https://dx.doi.org/10.1080/17543266.2012.762428

Kaufman, J.C. & R.J. Sternberg. (2007). Creativity. Journal of Change, 39(4), 55.

Makki, A.H., Resty M.H., & Wine R.P. (2017). Pengembangan desain motif kain tenun ikat Garut berdasarkan Indonesia trend forecasting. Arena Tekstil, 32(1), 35-40.

Mudjiman, H. (2012). Belajar Mandiri. Surakarta: UNS Press.

Mulyanto & Hartono L. (2018). Kesenian Reog sebagai Sumber Ide Pengembangan Desain Motif Batik Ponorogo. Dinamika Kerajinan dan Batik, 35(1), 33-44.

Mulyanto & Hartono L. (2021). Keunikan proses produksi batik untuk menyusun model pelatihan guna peningkatan pendapatan karyawan. Research Report. Surakarta: LPPM UNS.

Mulyanto, Figur R.F., Endri S.M., Desy N., & Dyah Y.K. (2021). Pattern 210 for Designing long-sleeved shirts with sanggit batik motif. Vlákna a textile (Fibres and Textiles) 28(4), 65-74.

Nurcahyanti, D., Mulyanto & Agus S. (2021). The role artisans in the batik designs development as a traditional textile in Indonesia. Valkna a Textil. (Fibres and Textiles). 28(2), 45-53.

Patria, A.S. (2016). “Dutch Batik Motifs: The Role of The Ruler and The Dutch Bussinesman”, Harmonia: Journal of Arts Research and Education, 16(2), 125-132, https://doi.org/10.15294/harmonia.v16i2.73577

Prasetyowibowo, B. (1998). Desain Produk Industri. Bandung: Yayasan Delapan Sepuluh.

Riyanto, D. (2002). Proses batik: batik tulis, batik cap, batik printing. Solo: cv Aneka.

Rizali, N. (2006). Tinjauan Desain Tekstil. 2006 Surakarta: LPP UNS.

Rohmaya, R. & Yulistiana. (2016). Batik Sendang Lamongan. E-Journal. Edisi Yudisium Pendidikan Tata Busana, Fakultas Teknik, Universitas Negeri Surabaya, 5(2), 1-9.

Sachari A., Puspita A.A., Nurcahyanti D. (2020). Girilayu Batik Motifs and their Forms of Symbolic Contemplation, Cultura International Journal of Philosophy of Culture and Axiology 17(2), 207-216.

Salma, I.R & Edi E. (2012). Kajian estetika desain batik khas Sleman “Semarak Salak”. Jurnal Dinamika Kerajinan dan Batik, 32(2), 1-8.

Salma I.R., Wibowo A.A., & Satria Y. (2015). Kopi dan kakao dalam kreasi motif batik khas Jember. Dinamika Kerajinan dan Batik 32(2), 63-72.

Sarwono. (2005). “Simbolism Motive Kawung of Fashion Community on Wayang Kulit Purwa Surakarta Style”, Harmonia: Journal of Arts Research and Education, 6(2), https://doi.org/10.15294/harmonia.v6i2.722

Septiana U., Sunarya Y.Y., & Haldani A., (2013). Comparative studies between Bakaran’s traditional batik patterns and Keraton Surakarta’s batik patterns. Journal of Visual Art and Design, 5(1), 20-34, http://dx.doi.org/10.5614%2Fitbj.vad.2013.5.1

Setiawan, D. (2015). “Jogja Fashion week carnival costume in the context of locality”, Harmonia: Journal of Arts Research and Education, 15(2), 126-132, https://doi.org/10.15294/harmonia.v15i2.4567

Sugiarto, E., Othman, A.N. bin, Triyanto, & Febriani, M. (2020). Regional Icon Motifs: Recent Trends in Indonesia’s Batik Fabric Development. Vlakna a Textil, 27(1), 93–98.

Sukanadi, I Made. (2020). Perkembangan Motif Batik Walang Jati Kencono di Gunungkidul Yogyakarta. Prosiding Seminar Nasional: Seni, Teknologi, dan Masyarakat #5. Surakarta: ISI Surakarta. 111-118.

Susanto, S.S.K. (1980). Seni Kerajinan Batik Indonesia. Jakarta: Balai Penelitian Batik dan Kerajinan, Departemen Industri.

Syakir, Bandi S., Moh. Fathurrahman, Badrul I., Dini A., & S. Verayanti R, (2022). Tamarind (Tamarindus indica L.): Source of Ideas Behind the Semarang Batik Motifs to Strengthen Local Cultural Identity. Harmonia: Journal of Arts Research and Education, 22(1), 78-90.

Syamwil, R. (2018). Conservation of Batik: Conseptual Framework of Design and Process Development. AIP Conference Proceedings, 020043.

Syamwil, R., Eko S., Tjetjep R.R. & Siti N. (2019). Weeds As A Source of development idea on batik motive. Vlákna a Textil, 26(2), 69-73. Syamwil, R. (2018). Conservation of Batik: Conseptual Framework of Design and Process Development. AIP Conference Proceedings, 020043.

Syamwil, R., Eko S., Tjetjep R.R. & Siti N. (2019). Weeds As A Source of development idea on batik motive. Vlákna a Textil, 26(2), 69-73.

Refbacks

  • There are currently no refbacks.




Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.