Comparative Study of Japanese and Indonesian Panji Mask in Light on Fine Art Elements and Principles
(1) Universitas Sebelas Maret, Indonesia
(2) Yamaguchi University, Japan
(3) Universitas Sebelas Maret, Indonesia
(4) Universitas Sebelas Maret, Indonesia
(5) Universitas Sebelas Maret, Indonesia
Abstract
Panji masks are one of the mask arts that originated in Indonesia and come in a variety of styles. One of the existing Panji mask styles is the Yogyakarta style, made of Pule wood and used in dance or theater performances. While in Japan, masks used in dance or theater performances, known as Noh masks, are made of cypress wood. Panji masks and Noh masks are long-standing cultural heritage arts. This study aims to identify and analyze the similarities and differences between the elements of art and the principles of art preserved in the Panji and Noh masks. A comparative qualitative method was used for the study. Library research, observation, interviews, documentation, and focused group discussions (FGD) were used to collect the data. Data processing and preparation, data reduction, data presentation, and conclusion drawing were all completed in stages. The results revealed similarities and differences between the Panji and Noh masks. Several principles are shared by Panji and Noh masks, including point elements, line shape, the principle of unity, balance, rhythm, proportion, and the principle of harmony. The line, field/shape element, color element, texture element, and emphasis principle are all different. These similarities and differences are due to a variety of factors, including the two countries’ geographical proximity (both on the Asian continent), as well as their history, customs, and culture.
Keywords
Full Text:
PDFReferences
Astrini, W., Amiuza, C. B., & Handajani, R. P. (2014). Semiotika Rupa Topeng Malangan (Studi Kasus: Dusun Kedungmonggo, Kec. Pakisaji, Kabupaten Malang). Jurnal RUAS (Review of Urbanism and Architectural Studies), 11(2), 89–98.
Fajarwati, A. A. S. (2017). Javanese House Interior Study: A Philosophical and Cosmological Extraction of Java’s Heritage, as Design Principles Application in Local Content Context. Humaniora, 8(2), 121–129.
Febrianto, M. F. M., Setiadarma, W., & Aryanto, H. (2014). Penerapan Media dalam Bentuk Pop Up Book pada Pembelajaran Unsur-unsur Rupa untuk Siswa Kelas 2 SDNU Kanjeng Sepuh Sidayu Gresik. Jurnal Pendidikan Seni Rupa, 2(3), 146–153.
Gordon, G. R. (2018). Ass Mask: Noh Faces New Ends.
Hidajat, R. (2013). Transformasi Karakter Tokoh Drama Tari Wayang Topeng di Kabupaten Malang, Jawa Timur. Putrawidya: Sejarah Dan Budaya, 14(2), 231–248.
Hidayanto, A. F. (2012). Topeng Reog Ponorogo dalam Tinjauan Seni Tradisi. Jurnal Eksis, 8(1), 2133–2138. http://www.karyailmiah.polnes.ac.id
Irawan, B., & Proscilla, T. (2013). Dasar-dasar desain, untuk arsitektur, seni rupa, desain produk industri, dan desain komunikasi visual. Griya Kreasi (Penebar Swadaya Grup).
Kustiawan, U. (2016). Character Value Education in Cirebon Mask. International Academik Journal of Social Scienes, 3(9), 42–49.
Lyons, M. J., Plante, A., Kamachi, M., Akamatsu, S., Campbell, R., & Coleman, M. (2000). Viewpoint Dependent Facial Expressions Recognition Japanese Noh Masks and the Human Face. Proceedings of the Annual Meeting of the Cognitive Science Society, 22.
Martono, M., Iswahyudi, I., & Handoko, A. (2017). Topeng Etnik Nusantara Dalam Perkembanagan Budaya Global. MUDRA Jurnal Seni Budaya, 32(1), 123–130.
Mukaddas, A. B. (2021). Unsur-unsur seni rupa dalam pertunjukan wayang kulit purwa. BALOLIPA: Jurnal Pendidikan Seni Rupa, 1(1), 1–9.
Nurcahyo, R. J., & Yulianto, Y. (2021). Upaya Pelestarian Topeng Warno Waskito di Diro Pendowoharjo Sewon Bantul Yogyakarta. Khasanah Ilmu - Jurnal Pariwisata Dan Budaya, 12(1), 49–56. https://doi.org/10.31294/khi.v12i1.10304
Pratama, A. (2013). Studi wayang topeng Malang lakon lahire Panji Karya Mochammad Soleh Adi Pramono dari padepokan seni Mangun Dharmo Tumpang-Malang. Universitas Negeri Malang.
Pratama, P. (2019). Keindahan Gerak Tari Topeng Cirebon Sebagai Gagasan Melukis. Universitas Pendidikan Indonesia.
Pratamawati, E. W. S. D. (2016). Malang Mask Puppet Presentation Structure Arrangement of the Story Rabine Panji as Cultural Tourism Commodity in Malang Regency East Java. Harmonia: Journal of Arts Research and Education, 16(1), 66–74. https://doi.org/10.15294/harmonia.v16i1.6021
Prayoga, I. D. (2022). Makna Simbolik Topeng Panji Gaya Yogyakarta dalam Representasi Estetika Kekriyaan. Imaji, 20(1), 1–10. https://doi.org/10.21831/imaji.v20i1.46455
Pulvers, S. H. (1978). The Noh Mask and the Mask Making Tradition. The Australian National University (Australia).
Sadjiman, E. S. (2009). Nirmana: Elemen-elemen Seni dan Desain. Jalasutra.
Suanda, E. (2005). Buku pelajaran Kesenian Nusantara: Topeng. Lembaga pendidikan Seni Nusantara (LPSN).
Subiyantoro, S. (2013). Warisan Seni Rupa Tradisi. UNS Press.
Subiyantoro, S., Pujiono, P., Kristiani, K., Maryono, D., & Wijaya, Y. S. (2020). Topeng Panji Profil Satria, Raksasa, Dan Dewi Sebagai Sumber Rekonstruksi Pendidikan Karakter: Kajian Semiotika Rupa. Jantra, 15(1), 1–14.
Subiyantoro, S., Susilaningsih, S., Kurwidaria, F., Fahrudin, D., & Wijaya, Y. S. (2021). Tracing the Traces of Roman Panji & Its Influence on Mask Art in Bobung, Yogyakarta, Indonesia. Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences, 4(4), 10656–10664. https://doi.org/10.33258/birci.v4i4.3117
Suharson, A. (2018). Topeng Klasik Gaya Yogyakarta Dan Kreatif Modern Karya Supana Ponowiguna Kajian Fungsi, Gaya, Dan Struktur. CORAK Jurnal Seni Kriya, 7(1), 44–53.
Suparta, I. M. (2019). Prinsip Seni Rupa.
Suwasono, B. T. (2021). Rupa Topeng Panji Gaya Yogyakarta Di Museum Sonobudoyo. SULUH: Jurnal Seni Desain Budaya, 4(2), 147–166.
Toekio, S. (1996). Nekawarna Pasunggingan Pada Wayang dan Topeng Panji.
Wibowo, A. (2019). Malang Mask Puppet in Era of Globalization: Social and Cultural Impact. Harmonia: Journal of Arts Research and Education, 19(1), 18–28. https://doi.org/10.15294/harmonia.v19i1.16101
Wibowo, A., Kurnain, J., & Juanda, J. (2020). History of inheritance of Wayang Topeng Malangan (Malang traditional mask puppet) in Pakisaji and Tumpang. Harmonia: Journal of Arts Research and Education, 20(1), 73–83. https://doi.org/10.15294/harmonia.v20i1.24785
Wijaya, Y. S. (2020). Nilai Karakter Pada Struktur Simbolis Visual Topeng Panji Gaya Yogyakarta. GELAR: Jurnal Seni Budaya, 18(1), 52–60.
Wijayanti, T. (2021). Nilai Estetik Topeng Kayu Karya Edy Kurnia di Desa Bandar Lor Kecamatan Mojoroto Kota Kediri. In Jurnal Pendidikan Seni Rupa (Vol. 04). State University of Surabaya.
Wu, Y. (2019). Analysis of Mask Art in Japanese Noh. 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019), 104–108.
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.