Integration of Experience and Achievements in the Development of Performing Skills of Kazakh Dance in Higher Education Institutions of the Republic of Kazakhstan

Aliya Kenzhetaeva(1), Karlgash Aitkalieva(2), Tolkyn Amreyeva(3),


(1) Makhambet Utemissov West Kazakhstan University, Kazakhstan
(2) Makhambet Utemissov West Kazakhstan University, Kazakhstan
(3) Makhambet Utemissov West Kazakhstan University, Kazakhstan

Abstract

The main purpose of this research is to study the experience and achievements of previous generations of folk dance performers to improve work with future choreographers who study Kazakh folk dance in higher education institutions of the Republic of Kazakhstan. The study’s methodological approach is the search and theoretical analysis of sources aimed at studying both the history of the Kazakh folk dance itself and the development of the performing skills methods of Kazakh dance in future choreographers. This research uses typological, historical, and thematic analysis methods from used literature collected during the writing of the article. The author analyzes the historical stages of the development of the professional training of choreographers-performers and the influence of the experiences and achievements of previous generations on the performing skills of future choreographers in Kazakh higher educational institutions. This study also found that modern teaching is based on the integration of experience and achievements in the art of choreography for the development of performing skills and choreographer-performer skills of Kazakh folk dances in higher educational institutions of the Republic of Kazakhstan. This research work is of practical importance in the study, as well as training of future choreographers who study dance in various areas of original folk art in higher education institutions of the Republic of Kazakhstan.

Keywords

folk dance, choreography, Kazak folklore, art, choreographic skills

Full Text:

PDF

References

Abirov, D. (1997). History of Kazakh dance. Almaty: Sanat.

Abirov, D., & Ismailov, A. (1961). Kazakh folk dances. Almaty: Kazakh State Publishing House of Fiction.

Alaways, S. (2019). Professional Performance Experience Versus Pedagogical Knowledge in Teaching Technique Class as a Creative Process. Journal of Dance Education, 20(4), 214-223.

Alyakrinskaya, М. А. (2014). Trends in the development of mass dance in the 1950s: ballroom dance. Bulletin of St. Petersburg State University of Culture and Arts, 2(19), 135-142.

Bakirova, S., & Kussanova, A. (2022). Small Forms of Contemporary Choreography Directing of Kazakhstan: National Content and Supranational Scenography. Central Asian Journal of Art Studies, 7(2), 76-91.

Brown, K. S. (2022). Dance & Cultivation: Spurring the Next Generation’s Enthusiasm for the Art of Dance. Journal of Dance Education, 22(3), 194-198.

Carey, K., Moran, A., & Rooney, B. (2019). Learning choreography: An investigation of motor imagery, attentional effort, and expertise in modern dance. Frontiers in Psychology, 10, 422.

Heyan, T., & Martin, R. (2020). A Reimagined World: International Tertiary Dance Education in Light of COVID-19. Research in Dance Education, 21, 306-320.

Karpenko, V. N., & Karpenko, I. A. (2018). Folk dance: traditions preserved and multiplied. Culture and Civilization, 8(5), 339-346.

Kasimanova, L. A. (2017). Folk dance in the content of professional training of choreographers. In: Folk dance and choreographic art of tradition and modernity (pp. 68-70). Kazan: Institute of Language, Literature and Art.

Kenzhetayeva, A. I. (2021). The development of students’ performing skills in the process of studying Kazakh dance: experience and achievements. Art Pedagogy and Art Psychology in the Age of Innovation, 3, 157-164.

Kulbekova, А. K., Tleubayeva, B. S., Tleubayev, S. Sh., Saparova, Y. A., Dildebayeva, G. R., Daribayeva, R. D., & Omar, E. O. (2016). The Methodological Framework of Occupational Training in Culture and Art High Schools of Kazakhstan. International Journal of Environmental & Science Education, 11(12), 5261-5272.

Kussanova, A., Tleubayeva, V., Nikolayeva, L., & Shankibayeva, A. (2021). Director’s interpretation of Kazakh dance: development trajectories in the perspective of creativity. Creativity Studies, 14(2), 535-548.

Leonard, A. E. (2022). Taking on the Challenges of Our Present: Dance Education for Children and Youth. Journal of Dance Education, 22(3), 141-143.

Lucero, R. (2021). Effects of instructional materials in multimedia computer-assisted instruction in teaching folk dance. Edu Sportivo: Indonesian Journal of Physical Education, 2(1), 40-50.

Moldakhmetova, A. T. (2020). Director’s interpretation of Kazakh dance in the choreographic art of Kazakhstan in the late XX – early XXI century. Almaty: Kazakh National Academy of Arts named after T. K. Zhurgenova.

Moldakhmetova, A. T., (2018). Dance movements of baksy as a paradigm of development of the Kazakh dance art. Rupkatha Journal on Interdisciplinary Studies in Humanities, 10(3), 38-57.

Nikolaeva, L. A. (2012). Stages of development of choreographic education in Kazakhstan. KazNU Bulletin, 2(36), 9-12.

Nurmakhamatuly, A. (2017). Traditional dance culture of the Turkic-speaking peoples. Preservation and development of folk traditions. In: Folk dance and choreographic art tradition and modernity (pp. 100-108). Kazan: Institute of Language, Literature and Art.

Nussipbekov, A. K., Amirgaliyev, E. N., & Hahn, M. (2014). Kazakh Traditional Dance Gesture Recognition. Journal of Physics: Conference Series, 495, 012036.

Sadykova, A. (2020). National and foreign in the work of the classics of Kazakhstani choreography (based on the performances of the Abay State Opera Theater Theater). Bishkek: Bishkek State University named after K. Karasaev.

Shomayeva, D. Ye., & Zhumaseitova, G. T. (2021). The history of decolonial sensibility in the discourse of the choreographer’s art of Kazakhstan. Central Asian Journal of Art Studies, 6(2), 50-61.

Tleubayev, S. Sh., Kulbekova, A. K., Tleubayeva, B. S., Saparova, Y. A., Kabdusova, D. Y., Dildebaeva, G. R., & Isengaliyeva, A. G. (2019). The ethnogenesis of the Kazakh dance. Opcion, 34(87-2), 338-354.

Urazymbetov D. D. (2016). Innovative searches of M. Tleubaev in the national ballet “Aksak Kulan”. Bulletin of the Academy of Russian Ballet named after A.Ya. Vaganova, 4(45), 51-61.

Yastrebova, T. A., & Yuryeva, M. N. (2016). The essence and structure of the performing skills of schoolchildren in choreography. Psychological and Pedagogical Journal Gaudeamus, 15(3), 97-102.

Zhumagaliyeva, A. B. (2022). Synthesis of national traditions in the stylization of Kazakh dance: abstract for the master’s degree. Saratov: Saratov National Research State University named after N. G. Chernyshevsky.

Refbacks

  • There are currently no refbacks.




Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.