Church music inculturation by way of an experiment of arrangement of Dolo-Dolo mass ordinarium accompaniment-  composed by Mateus Weruin for woodwind quintet

Yohanes Ruswanto; Juanita Theresia Adimurti

doi:10.15294/harmonia.v17i1.8467

Church music inculturation by way of an experiment of arrangement of Dolo-Dolo mass ordinarium accompaniment- composed by Mateus Weruin for woodwind quintet

Yohanes Ruswanto⁽¹⁾, Juanita Theresia Adimurti⁽²⁾,

DOI: https://doi.org/10.15294/harmonia.v17i1.8467

(1) Department of Music, Universitas Kristen Satya Wacana, Salatiga, Indonesia
(2) Department of Music, Universitas Kristen Satya Wacana, Salatiga, Indonesia

Abstract

Inculturation of Church music in an experiment of creating this arrangement aims to bring a different form of musical ordinarium accompaniment form of Dolo-Dolo Mass from Flores, with a different media that uses the woodwind quintet (flute, oboe, clarinet, French horn, and Basson). The experiment took one of the ordinary songs from Madah Bakti “Tuhan Kasihanilah Kami”. The harmonization fine-tunes to the chorus arrangement composed by Mateus Weruin. The literature study was conducted through collecting references on the art of Dolo-Dolo and woodwind quintet so it can be used to create an idea for this arrangement. The result shows that a rhythmic character that characterizes the traditional Flores music lies in a dotted sixteenth pattern. The richness of sounds and agile characters coming from each instrument creates a percussive atmosphere of Flores folk music. The result of the arrangement experiment can be used to enrich the reference of accompaniment music to the general public and specifically, the Catholic Church.

Keywords

inculturation of Church music and woodwind quintet

Full Text:

PDF

References

Adimurti, J. (2011). Inkulturasi Musik Gereja di Batak Toba dan Simalungun (Inculturation of Church Music in Batak Toba and Batak Simalungun). Harmonia: Journal of Arts Research And Education, 6(3).

Boyd, M. (1980). The New Grove Dictionary of Music and Musicians. London: Macmillan Publisher Ltd.

Hardawiryana, R. (1993). Konstitusi Tentang Liturgi, translation. Jakarta: Dokpen Kwi.

Kennan, K. & Grantham, D. (1997). The Technique of Orchestration. New Jersey: Pretice-Hall, Inc.

Martasudjita, E. (1998). Paham Dasar Perayaan Liturgi Uma, dalam Musik Gereja Zaman Sekarang. Yogyakarta: Pusat Musik Liturgi.

Martasudjita, E. (1998). Penyajian Musik Gereja Dalam Perayaan Liturg dalam Musik Gereja Zaman Sekaran.Yogyakarta: Pusat Musik Liturgi.

Prier, K. E. (1996). Ilmu Bentuk Musik. Yogyakarta: Pusat Musik Liturgi.

Prier, K. E. (1995). Inkulturasi Nyanyian Liturgi. Yogyakarta: Pusat Musik Liturgi.

Prier, K. E. (1988). Kedudukan Nyanyian Dalam Liturgi. Yogyakarta: Pusat Musik Liturgi.

Prier, K. E. (1998). Musik Gereja Dari Abad Ke Abad, dalam Musik Gereja Zaman Sekarang. Yogyakarta: Pusat Musik Liturgi.

Prier, K. E. (1993). Sejarah Musik Jilid. Yogyakarta: Pusat Musik Liturgi.

PML. (1988). Ordinarium Dolo-Dolo, Madah Bakti–Buku Iringan Jilid I. Yogyakarta: Pusat Musik Liturgi.

Weruin, M. (2000). Ordinarium Dolo-Dolo, Madah Bakti 2000 – Buku Kor Campur Jilid I Edisi Baru. Yogyakarta: Pusat Musik Liturgi.

Rowley, G. (1999). The Book of Music. London: Chancellor Press, Octopus Publishing Group Ltd.

Westrup, J. A. & Hurrison, F. I. I. (1960) Arrangement, The New College Encyclopedia of Music. New York: W.W. Norton & Company Inc.

Yampolsky, P. (1994). Seri Musik Indonesia 8 – Musik Vokal dan Instrumental dari Flores Timur dan Tengah. Buklet Kaset MSPI: Smithsonian/Folkways

Refbacks

There are currently no refbacks.

This work is licensed under a Creative Commons Attribution 4.0 International License.