PERAN SENIMAN BANYUMAS DALAM PELESTARIAN CALUNG BANYUMASAN: STUDI KASUS PADA SENIMAN SUJIMAN BAWOR
Abstract
This study aims to describe the role of an artist Calung Banyumasan who has a high dedication in maintaining two roles at once namely maintaining the economic life of his family, the traditions he loves and his responsibilities as a member of the community. This research uses a hermenuetic approach, integrated professional theory, and compensation theory to reveal the attitude of an artist who performs the attitude taken in his social cultural life. The results of the study show that artists who love art and culture will maintain their attitude by performing their faith. This activity can be in the form of working as an artist earnestly, doing other work as a support for his life and carrying out his social activities as a gesture of attitude that is in love with the art and culture of the ancestors he loves.
Keywords
Full Text:
PDFReferences
Altman, J. C. (1988). Aborigines, Toursm and Development: The Northern Territory Experience. Darawin: Australian National University North Australia Research Unit Monograph.
Ambarwangi, S., & Suharto, S. (2014). Reog as Means of Students' Apresiation and Creation in Arts and Culture Based on The Local Wisdom. Journal of Arts Research and Education, 14(1), 37–45. https://doi.org/10.15294/harmonia.v14i1.2789
Becker, H. S. (1976). Art world and social types. American Behavioral Scientist, 19(6), 703–718.
Broh, C. A. (1979). Political Behavior. Adler on the Influence of Siblings in Political Socialization. Desember 21, 2010. 1(2). Retrieved from http://www.jstor.org/stable/586141
Durkheim, S. S. (n.d.). SOLIDARITAS SOSIAL-EMILE DURKHEIM Kerangka, 49–61.
Masri Nur Hayati. (2016). Perkembangan bentuk penyajian kesenian lengger banyumasan di paguyuban seni langen budaya desa papringan kecamatan banyumas kabupaten banyumas. Yogyakarta.
Matthew B. Miles, A. M. H. (1984). Qualitative Data Analysis. London: Sage Publication.
Mead, M. (1972). Culture and Comitment: a Study of the Generation Gap. London: Panter Book Ltd.
Priyadi, S. (2002). Banyumas antara Jawa dan Sunda. Semarag: Penerbit Mimbar.
Priyadi, S. (2003). Beberapa karakter orang banyumas. BAHASA DAN SENI, 31(1), 14–36.
Priyadi, S. (2007). Cablaka sebagai Inti Model Karakter Manusia Banyumas. Diksi, 14(1), 11–18.
Purwoko, O. E. (2016). Reclaiming Banyumas Identity an Interpetive Study about Identity and Character of Local Society Based on Literary Studies of History, Attitudes, Behavior, Arts, and Culture. Komunika, 10(1), 128–141.
Rohidi, T. R. (2011). Metodologi Penelitian. Semarang: Cipta Prima Nusantara.
Sudarsono, 1933-. (2002). Seni pertunjukan Indonesia di era globalisasi. Gadjah Mada University Press. Retrieved from http://gmup.ugm.ac.id/id/product/budaya/seni-pertunjukan-indonesia-di-era-globalisasi
Suharto. (2018). Makna Simbolis dan Pelestarian Calung Banyumasan di Kabupaten Banyumasâ€. Disertasi. Program Studi Pendidikan Seni. Program Pascasarjana. Universitas Negeri Semarang
Sutton, R. A. (1986). The Crystallization of a Marginal Tradition: Music in Banyumas, West Central Java. Yearbook for Traditional Music - International Council for Traditioal Music, 18, 115. https://doi.org/10.2307/768524
Thijssen, P. (2012). From mechanical to organic solidarity, and back. European Journal of Social Theory, 15(4), 454–470. https://doi.org/10.1177/136843101142358
Refbacks
- There are currently no refbacks.