Mythologization of The Goddess Mazu: Readings through Spacial Setting and Activity in the Interior of Cu An Kiong Temple
(1) Institut Seni Indonesia Yogyakarta, Indonesia
(2) Tainan National University of the Art, Taiwan
(3) Institut Seni Indonesia Yogyakarta, Indonesia
(4) Institut Seni Indonesia Yogyakarta, Indonesia
(5) Institut Seni Indonesia Yogyakarta, Indonesia
Abstract
This study aims to understand the myth of the Goddess Mazu in Lasem City, Central Java. The research was conducted by observing the interior space at Cu An Kiong (CAK), the oldest temple in Lasem City. This study uses a verbal communication approach from Rapoport (1982) and a cultural approach from Koentjaraningrat (2015) to explore human relations with their environment and explain phenomena that exist in the research object. The research found that there is an exaltation space in this Mazu temple; this space is placed on the axis of space and time, it is to see the meaning of the space that has been built is practiced by the whole community, both the Chinese and the Javanese ethnicities, in a continuous flow of time from the first time the temple was built until now, as well as providing an interpretation of the phenomenon which are actually happened in Lasem. Based on the research, it can be concluded that the exaltation space shows the mythical practice of the Goddess Mazu by the local community, both Chinese and Javanese ethnicities. The mythology of Goddess Mazu, or Mak Co, is the protector of fishermen, sailorman, and common people in Lasem.
Keywords
Full Text:
PDFReferences
Andini, B. O. (2015). Barongsai Cap Go Meh Di Makassar Sebuah Pemikiran Tentang Tari, Ritual, dan Identitas. Jurnal Kajian Seni, 2(1), 12-26.
Atabik, A. (2016). Percampuran Budaya Jawa Dan Cina: Harmoni Dan Toleransi Beragama Masyarakat Lasem. Sabda, 11(1), 1-11.
Carrey, P. (1986). Orang Jawa dan Masyarakat Cina 1755-1825. Jakarta: Pustaka Azet.
Carey, P. (2008). The power of prophecy; Prince Dipanagara and the end of an old order in Java, 1785-1855. Second Edition. Leiden: KITLV Press.
Dananjaya, J. (1994). Folklor Indonesia, Jakarta: Pustaka Utama Grafiti.
Darajadi. (2008). Perang Sepanjang 1740-1743: Tionghoa Jawa Lawan VOC. Jakarta: Pelangi Nusantara.
De Graaf, H.J & Pigeaud, TH.G.TH. (1985). Kerajan-Kerajaan Islam di Jawa, Peralihan dari Majapahit ke Mataram. Jakarta: Grafiti Press.
Franke, W.(1997). diedit oleh Claudine Salmon & Anthony K.K. Siu, Chinese Epigraphic Materials in Indonesia, Volume 2 Part 2 Java, South Seas Society, Singapore, Ecole Francaise d’Extreme-Orient, Paris, Association Archipel, Paris.
Handinoto & Hartono. (2005). “Lasem Kota Kuno di Pantai Utara Jawa yang Bernuansa China” dalam Prosiding Seminar Nasional Pemahaman Sejarah Arsitektur Indonesia X, Arsitektur Pecinan Di Indonesia. Semarang: Arsitektur Departent, Unika Sugijapranata.
Hartono & Handinoto. 2020. “Lasem: Kota Kuno di Pantai Utara Jawa yang Bernuansa China.” Contrived from http://fportfolio.petra.ac.id/user_files/81-005/LASEM.pdf.
Hasanah, H. (2014). Perayaan Imlek Etnis Tionghoa: Menakar Implikasi Psiko-Sosiologis Perayaan Imlek bagi Komunitas Muslim di Lasem Rembang.” Jurnal Penelitian. 8(1), 1-22. http://web.budaya-tionghoa.net/index.php/item/87-asal-muasal-istilah-kelenteng-maknafungsi-dan-perkembangann
Heller, N. (2020). Using Mazu to Teach Key Elements of Chinese Religions, Asian Philosophies and Religions, Education About ASIA, 25(1)
Herwiratno. (2007). Kelenteng: Benteng Terakhir dan Titik Awal Perkembangan Kebudayaan Tionghoa Di Indonesia. Lingua Cultura, 1(1). https://doi.org/10.21512/lc.v1i1.264
Iskandar, Y. & Moh. Ali T. (2018). Karakteristik Kawasan Pecinan Pantai Utara Jawa: Studi Kasus Kawasan Pecinan Lasem Jawa Tengah. Jurnal Agora. 16(1), 25-31. Doi: http://ex.doi.org/1025105/agora V.16iT.3208.
Lestari, N. (2010). “Dari Wayang Potehi ke Wayang Thithi”. Reseach report. Semarang: Fakultas Sastra Universitas Diponegoro
Listiyani, T. (2011). Partisipasi Masyarakat Sekitar Dalam Ritual Di Kelenteng Ban Eng Bio Adiwerna. Komunitas 3 (2),124-130.
Lombart, Denys, 1996. Nusa Jawa Silang Budaya, jaringan Asia. Jakarta: Gramedia Pustaka Utama.
Lombart, D. (1996). Nusa Jawa Silang Budaya, Warisan-warisan Kerajaan Konsentris. Jakarta: Gramedia Pustaka Utama.
Lukman, C. C., Yunita S., Sandy R. (2018). Indonesian Chinese Visual Language of ‘Qilin’ 0n Lasem Batik Ancestral Altar Cloth (Tok Wi). Journal of Arts & Humanities, 7(8), 84-94. DOI: http://dx.doi.org/10.18533/journal.v7i9.1488
Koentjaraningrat. (2005). Pengatar Antropologi. Jakarta: Penerbit Rieneka Cipta.
Pitaya, M.A. (2014). Tinjauan Semiotika Kong Co pada Kelenteng Gie Yong Bio Lasem, Catharsis: Journal of Arts Education, 3 (2)
Pradhana, R., Ananda D., Agnes P. (2020). Acculturation in Culture Site Kelenteng Cu An Kiong – Lasem Viewed from Architectural and Decorative Angle. Jurnal Becoss, 2(1),1-8.
Prasetya, H.B; Mastuti, D.W & Albilabiah, I. (2015). Wacinwa: Silang Budaya Cina Jawa. Yogyakarta: Museum Sonobudoyo.
Pratiwi, Indarti Hagi. (2018). “Agama dan Budaya: Studi tentang Nilai-Nilai Teologis dan Budaya dalam Pertunjukan Wayang Potehi di Klenteng Hong San Kiong bagi Umat Konghucu Kecamatan Gudo Kabupaten Jombang.” Thesis. Surabaya: Universitas Islam Negeri Sunan Ampel Surabaya.
Pratiwo. (2010). Arsitektur Tradisional Tionghoa dan Perkembangan Kota. Jakarta: Penerbit Ombak.
Rapoport, A. (1977). Human Aspects of Urban Form. Oxford: Pergamon Press, Ltd.
Rapoport, A. (1982). The Meaning of the Built Environment: A Nonverbal Communication Approach. New Delhi: Sage Publication.
Ruitenbeek, K. (1999). Mazu, the Patroness of sailors, in Chinese Pictorial Art. Artibus Asiae, 58(3), 281–329.
Rukhayah. (2019). “Karakteristik Kawasan Pecinan Lasem Kabupaten Rembang”, Temu Ilmiah Ikatan Peneliti Lingkungan Binaan Indonesia (IPLBI) 8, tahun 2019. D 105-112 https://doi.org/10.32315/ti.8.d105
Salmon, C., & D. Lombard. (1985). Klenteng-Klenteng Masyarakat Tionghoa di Jakarta. Jakarta: Yayasan Cipta Loka Caraka.
Santoso, R. E., Suzanna R. S., Rukayah. (2020). Peran Masyarakat Tionghoa terhadap Perkembangan Kawasan Heritage di Kota Lasem, Kabupaten Rembang. Modul, 20(2), Doi : 10.14710/mdl.20.2.2020.84-97
Sari, I. N. (2005). “Campur Kode dalam Pertunjukan Wayang Potehi di Kelenteng Hong Tik Hian Surabaya”. Thesis. Surabaya: Faculty of Literature, Universitas Airlangga.
Setiawan, E. (1990). Dewa Dewi Kelenteng. Semarang: Yayasan Kelenteng Sam Poo Kong, Gedung Batu.
Soegihartono. (2015). Pengaruh Akulturasi Tionghoa dan Jawa dalam Perkembangan Bisnis di Semarang. Respons, 2(2), 169-215
Sudarwani, M. M., E Purwanto, S Rukhayah. (2018). Akulturasi dalam Arsitektur Rumah Tinggal Lasem, Studi Kasus Rumah Liem King Siok, Sabda, 13(2)
Suparwati, Ni Komang T. (2013). “Representasi Identitas Tionghoa Melalui Kuliner Di Kelurahan Kampung Bugis, Singaraja Bali Sebagai Sumber Materi Ajar Sejarah SMA Kelas XII Jurusan Bahasa”. Thesis. Singaraja: Jurusan Pendidikan Sejarah Fakultas Ilmu Sosial Universitas Pendidikan Ganesha.
Susilo, G., Nangoy, O., Darmawan, J. (2019). Visualization Development of Chinese Gods Statues in Jakarta’s Temples until 1949, International Conference on Design, Engineering and Computer Sciences 2018, IOP Conf. Series: Materials Science and Engineering 453 (2018) 012071 doi:10.1088/1757-899X/453/1/012071
Sutami, H. (2012). “Kuliner Untuk Arwah:Realita Akulturasi Budaya Kaum Cina Peranakan”. Proceding of The 4th International Conference On Indonesian Studies: “Unity, Diversity, Future”. Jakarta: FIB UI, hlm. 372-380.
Unjiya, M. A. (2008). Lasem Negeri Dampoawang: Sejarah yang terlupakan. Yogyakarta: Eja Publisher.
Wulanningrum, S. D., (2017). Identifikasi Kelayakan Kawasan Pecinan Lasem sebagai Kawasan Konservasi.. Jurnal Muara Ilmu Sosial, Humaniora, dan Seni, 1(1), 278-287.
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.