Articles

• Individual-based versus Group-based Instructions in Classical Guitar Teaching at Indonesian Tertiary Arts Education

  Andre Indrawan, Agnes Iklimah

  1-13

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• Forms of Presentation of Ma'barutung Music Art in Parombean village, Curio district, Enrekang regency

  Ekomagrah Warsono, Widodo Widodo, Wadiyo Wadiyo

  15-26

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• Presentation Form of Candei Music Group in Sendari Song in Muara Enim

  Indah Rizky Heryana, Wadiyo Wadiyo, Udi Utomo

  27-33

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• Mempertahankan Tradisi Membatik sembari Bersyair: Manajemen Konservasi Budaya Komunitas Pembatik Rifa’iyah Desa Kalipucang Wetan

  Gallah Akbar Mahardhika, Eko Sugiarto, Wandah Wibawanto

  34-44

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• Symbolic Values and Meanings in Lasem Batik Motives

  Novia Dyah Mahesti, Eko Sugiarto, Rahina Nugrahani

  45-53

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• Analysis of Broken Home Children Pictures at Salib Putih Orphanage Salatiga

  Arindy Sabilla Dewi, Syakir Syakir, Eko sugiarto

  54-64

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• The Performance Form of Dzikir Saman, Banjarsari Lebak Banten

  Teguh Hartomi, Restu Lanjari, Hartono Hartono

  65-72

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• Form of Presentation of Pattudduq Sarawadang Dance in Majene Regency

  Nanda Resma Yulianti, Agus Cahyono, Malarsih Malarsih

  73-82

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• The Existence of Wayang Orang Art Studio in Tembbelang Gunung Village, Lebakbarang District, Pekalongan Regency in Facing the Development of the Age

  Lelyana Lely Aryani, Hartono Hartono, Malarsih Malarsih

  83-91

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• Seumapa Islamic Art Values in The Wedding Ceremony Process in Aceh

  Novysa Basri, Alfi Syahrin, fauziatul Halim, Muhammad Ridha

  92-100

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