Analysis of Chinese Culture in the Film I Am What I Am (2021) by Sun Haipeng Using Semiotic Roland Barthes

Authors

  • Pingkan Rositawati Universitas Negeri Semarang Author
  • Sheyra Silvia Siregar Universitas Negeri Semarang Author
  • Dian Yuni Pamuji Universitas Negeri Semarang Author

DOI:

https://doi.org/10.15294/longdaxiaokan.v8i3s.30233

Keywords:

Chinese culture, semiotic, scene, film I Am What I Am

Abstract

This article discusses the analysis of Chinese culture in the film I Am What I Am (2021) directed by Sun Haipeng, using semiotic Roland Barthes. The aim of this research is to uncover the cultural meanings conveyed through visual and narrative symbols in the film. This study employs a descriptive qualitative method, in which data is collected through observation of scenes that contain elements of Chinese culture such as the lion dance, salted fish, lanterns, and others. The analysis is carried out through three levels of meaning according to Barthes: denotation (literal meaning), connotation (cultural meaning), and myth (ideological meaning).

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Published

2025-07-23

Article ID

30233