Training of Choreographers in Higher Education Institutions
(1) Borys Grinchenko Kyiv University, Ukraine
(2) Borys Grinchenko Kyiv University, Ukraine
(3) Poltava V.G. Korolenko National Pedagogical University, Ukraine
(4) Poltava V.G. Korolenko National Pedagogical University, Ukraine
(5) Pavlo Tychyna Uman State Pedagogical University, Ukraine
Abstract
The relevance of the study is determined by the active development of the pedagogical art branches, where the professional competence development of future choreographers and the development of their creative views becomes the main aspect of specialists training in higher education institution and involves the creation of the necessary conditions on the way to their creative growth and professionalism. In this regard, the purpose of the research work is to determine the features of the training of choreographers in higher education institution, their professional development in the context of educational activities, the professional competence development in the process of practical professional training, as well as to determine possible ways to overcome the professional crisis and destruction. The basis of the theoretical and methodological approach in this article is a qualitative combination of system analysis methods of choreographer training in higher education institutions with an analytical study of the professional competence development of future specialists in the art of dancing, where the use of modern approaches involves the use of innovative forms and means of learning to implement the educational concept regarding the professional development of choreographers. The article presents the results that reflect the problem of implementing the training of choreographers in higher education institution on the way to the professional qualities development of future specialists, their motivation for self-education, the development of creative abilities and creativity, as well as the necessary skills development for future productive professional activity. The obtained results of the research work are of practical value for educators of higher education institutions that train the specialists in the art of dancing, for the perspective of introducing and implementing the latest training approaches in the educational process, as well as for practical purposes for determining the development of professional qualities of future choreographers in higher education institutions.
Keywords
Full Text:
PDFReferences
Androschuk, L. M. (2019). Innovations in the practical training of future choreography teachers in the system of choreographic and pedagogical education in Ukraine. Actual Issues of Art Education and Upbringing, 1-2(13-14), 211-220.
Аccademia nazionale di danza. (2022). https://bsdv.it/national-academy-of-dance-of-rome/?lang=en.
Butterworth, J. (2004). Teaching choreography in higher education: A process continuum model. Research in dance education, 5(1), 45-67.
Сhoreographer. (2022). https://www.prospects.ac.uk/job-profiles/choreographer.
Clements, L., & Nordin-Bates, S. M. (2022). Inspired or inhibited? Choreographers’ views on how classical ballet training shaped their creativity. Journal of Dance Education, 22(1), 1-12.
Croy, J. (2019). The 10 Best Colleges for Aspiring Choreographers. https://www.collegemagazine.com/the-10-best-colleges-for-aspiring-choreographers/.
Dance education market in China: how dance classes became a key hobby for the Chinese youth. (2021). https://daxueconsulting.com/dance-education-market-china/.
Dou, X., Jia, L., & Ge, J. (2021). Improvisational dance-based psychological training of college students’ dance improvement. Frontiers in Psychology, 12, 663223.
Guerrero, D., & De los Ríos, I. (2012). Professional competences: a classification of international models. Procedia-Social and Behavioral Sciences, 46, 1290-1296.
Kokun, O. M. (2012). Psychology of professional development of a modern specialist: Monograph. Kyiv: State Enterprise Information and Analytical Agency.
Kordunova, N. O., & Dmytriuk, N. S. (2020). Psychological features of the formation of professional competence of students in the process of professional training. Current problems of psychology: Collection of Scientific Works of the Institute of Psychology named after H.S. Kostyuka, 10(34), 117-128.
Law of Ukraine No. 1556-VII “On Higher Education”. (2014). https://zakon.rada.gov.ua/laws/show/1556-18#Text.
Lusdoc, C. S., & Namoco, R. A. (2019). Selecting an SPA (special program in the arts) major for high school students using AHP combined with interest inventory. International Journal of Innovative Research in Education, 6(1), 1-11.
MA CoDE. Course content. (2022). https://www.hfmdk-frankfurt.de/en/studiengang/contemporary-dance-education-master.
Martínez, V., Castejón, L., & González-Pumariega, S. (2022). The effect of efficient professional development on the teaching of code-focused skills in beginner readers: exploring the impact of professional development intensity and coaching on student outcomes. Reading and Writing, 35(7), 1711-1730.
Mead, D. (2020). Reorienting Taiwan’s Contemporary Dance: A New Generation of Taiwanese Choreographers. In: W. Yunyu, S. Burridge (Eds.), Іdentity and Diversity (pp. 175-192). London: Routledge India.
Medvid, T. A. (2018). Competency principles of professional training of future choreographers at a classical university. Bulletin of the National Academy of Managers of Culture and Arts, 2, 234-239.
Medvid, T. A., & Tereshenko, N.V. (2021). Formation of soft skills in the process of professional training of future choreographers. Collection of Scientific Works of the Uman State Pedagogical University, 4, 165-178.
Professional Development Phases. (2019). https://cutt.ly/ACci9sj.
Pytlyuk-Smerechynska, O. D. (2013). Psychological features of the professional formation of future specialists in an integrated educational environment. http://ap.uu.edu.ua/article/57.
Rabow, M.W., Evans, C.N., Remen, R.N. (2013). Professional formation and deformation: repression of personal values and qualities in medical education. Family Medicine, 45(1), 13-18.
Romanchuk, N. (2019). Formation of professional competence of future engineering professionals. Scientific Bulletin named after V.O. Sukhomlynskyi. Pedagogical Sciences, 1(64), 218-222.
Scherak, L., & Rieckmann, M. (2020). Developing ESD competences in higher education institutions—Staff training at the University of Vechta. Sustainability, 12(24), 10336.
Standard of higher education of Ukraine. (2020). https://mon.gov.ua/storage/app/media/vishcha-osvita/zatverdzeni%20standarty/2020/03/024-choreografia-B.pdf.
Stolyarchuk, O., & Sergeenkova, O. (2019). Formation of psychological readiness of students for future professional activities. Humanitarian, 42(1), 164-172.
What is professional personality deformation. How to deal with professional deformation on your own. Why personality deformation is a negative factor. (2022). https://cutt.ly/3BBr5Ff.
Windermere, A. (2021). What Skills Do Choreographers Need? https://work.chron.com/skills-choreographers-need-13015.html.
Winship, L. (2020). The thirst and drive are there: a leap forward for British dance schools. https://www.theguardian.com/stage/2020/jul/08/british-dance-schools.
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.