Changes in Funeral Music Practices of Vietnamese People in the Northern Delta, Vietnam
(1) Vietnam National University, Vietnam
Abstract
The funeral music of the Vietnamese people in the Northern Delta represents unique type of traditional musical heritage practiced and passed down by many generations of Vietnamese people to this day. Vietnamese people often say: “Sống dầu đèn, chết kèn trống” (If you live with lamp oil, die with trumpets and drums) - meaning that the sound of drums and trumpets at the funeral of the dead is like fire and oil in human life. However, this unique artistic heritage is facing a risk of change, as many traditional qualities in this type of music are gradually hybridizing and disappearing. The main research method of this study is qualitative research, focusing on in-depth interviews with elite artisans - elderly people with good memories and the ability to excel in practicing funeral music. In-depth interviews are done with artisans in families who have practiced and taught funeral music for generations. Research results show that the funeral music of Vietnamese people in the Northern Delta has changed quite a lot compared to tradition; Modern compositions songs are gradually being practiced in the Vietnamese funeral space here. The main reason is that the local cultural heritage management and preservation policy, for many years, was not given much attention. At the same time, pragmatic economic factors resulting from these artisans practicing this heritage in the face of the impact of the new economic context of society - are also the central cause of this transformation. The need to preserve this precious heritage in the cultural and social life of contemporary Vietnamese people is also an issue discussed in this study.
Keywords
Full Text:
PDFReferences
Bruin, M. J. (2019). Funeral Music between Heaven and Earth. Bingley: Emerald Publishing.
Caswell, G. (2012). Beyond Words: Some Uses of Music in the Funeral Setting. OMEGA - Journal of Death and Dying, 64(4), 319–334. https://doi.org/10.2190/OM.64.4.c.
Catherine, F. (2003). If you have good knowledge, close it well tight: Concealed and framed meaning in the funeral music of the Hmong qeej. British Journal of Ethnomusicology, 12(2), 1-33,
Communist Party of Vietnam (2007). Complete Party Document, vol. 52, National Political Publishing House, Hanoi.
Dang, H.L. (2006). Vietnamese folk filial music, Scientific Notice. Hanoi: Institute of Music.
Do, Q.H. (2009). Nghiên cứu Tôn giáo: Nhân vật và Sự kiện [Religious studies: Personages and events]. Ho Chi Minh City: Ho Chi Minh General Publishing House,
Dolly, M. (2016). The Ceremony of Tolling the Bell at the Time of, in Music and Mourning, Chapter 4. London: Routledge.
Glenys, C. (2011). Death as a Fateful Moment? The Reflexive Individual and Scottish Funeral Practices. Sociological Research Online, 16 (3), https://doi.org/10.5153/sro.2450.
Hampton, B L. (1982). Music and Ritual Symbolism in the Ga Funeral.Yearbook for Traditional Music, 14, 75 – 105.
Hanser, W. E., Mark, R. E., & Vingerhoets, A. J. J. M. (2022). Music and Lyric Characteristics of Popular Dutch Funeral Songs. Journal of Death and Dying, 89(2), 452-469. https://doi.org/10.1177/00302228221075471.
Hirochika, N. (1986). Continuity and Change: Funeral Customs in Modern Japan. Japanese Journal of Religious Studies, 13(2),177-192.
Iguchi, J. (2004), “The Restoration of Traditional Music of a Rural Chinese Village,” printed in Traditional Ethnic Music in the Context of Globalization, Century International Conference within the framework of ASEAN countries, China, Korea and Japan, published by the Vietnam Academy of Music, Hanoi, pp.321-327.
Jones, S. (2009). Ritual and Music of North China: Volume 2: Shaanbei (1st ed.). Routledge.
Katrina, S.M., Alexander H.D.C. (2016). Music Therapy and Mourning, in Music and Mourning, Chapter 9. London: Routledge.
Kun, Q. (2014). Sonic Expressions of Cosmological Awareness: A Comparative Study of Funeral Rituals Among Han Chinese Living in the Yangzi River Valley. Yearbook for Traditional Music, 46, 159-169. Doi:10.5921/yeartradmusi.46.2014.0159.
Le, N. H. (2011). History and theory of sociology. Hanoi: Publishing House of Vietnam National University.
Le, T. (2006). Geography of Vietnam Stars and Cities, Volume I. Red River Delta Provinces and Cities: Publishing House. Education.
Le, C.L. (2001). Vietnamese people’s view of the universe and human outlook through funeral performance. Hanoi: Publishing House Ha Noi National University.
McFerran and Crooke (2016). Music Therapy and Mourning, Routledge, 17.
Malarney, S.K. (1996). The limits of “state functionalism” and the reconstruction of funerary ritual in contemporary northern Vietnam. American Ethnologist, 23(3), 540-560.
Nguyen, T C. (1996). From the definition of culture. in the book General Fire Science and Cultural Foundations of Vietnam. Hanoi: Social Science Publishing House.
Nguyen, T.L. (2006), “A book of changes in the singing style of Quan ho Bac Ninh”, printed in Quan ho Bac Ninh cultural space: preservation and promotion, by the Institute of Culture and Information and the Department of Culture and Information Bac Ninh Province News published, Hanoi, 389.
Nguyen, T.L. (1993). Vietnamese musical porcelain (Textbook for undergraduate level). Hanoi: Conservatory of Music Music Publishing House.
Ngo, D.T. (2018). The Mother Goddess religion: its history, Pantheon, and practices. In: Fjelstad K, Nguyen TH (eds) Possessed by the spirits. Ithaca: Cornell University Press.
Prelovšek, A. (2017). Musical Practices in the Funeral Context: A Case Study of Cemeteries in the Ljubljana Region in 2016. Musicological Annual, 53(1), 217–241. https://doi.org/10.4312/mz.53.1.217-241
Prelovsek, A. (2021), The Influence of the Mediterranean on Funeral Ceremonies and Funeral Music in Slovenian Coastal Areas. International Journal of Euro-Mediterranean Studies, 14 (2), 40-60.
Shohet, M. (2018). The limits of “state functionalism” and the reconstruction of funerary ritual in contemporary northern Vietnam. American Ethnologist, 45 (1) 60-73.
Sandra, G., Jane, W. D. (2016). The Modern Funeral and Music for Celebration, in Music and Mourning, Part 1. London: Routledge.
Sandra, G., Waldo F. G. (2016). The Psychological Function of Music in Mourning Rituals, in Music and Mourning, Chapter 6. London: Routledge.
Sharon S. Y. C, Amy Y. M. C. (2017), A Cultural Sociological Review of Chinese Funeral Rituals, in Handbook of the Sociology of Death, Grief, and Bereavement. London: Routledge.
Sandra, G., Jane, W. D. (2016), The Modern Funeral and Music for Celebration, in Music and Mourning, Chapter 2, Part 1. London. Routledge, London.
Stephen, J. (2008), Chinese ritual music under Mao and Deng.
British. Journal of Ethnomusicology, 27-66, https://doi.org/10.1080/09681229908567280.
Tan, H.S. (2002), Saving the soul in Red China: Music and ideology in the Gongde ritual of merit in Fujian. British Journal of Ethnomusicology, 11(1), 119-140. DOI: 10.1080/09681220208567331.
Thong, H. (2006). Geography of Vietnamese provinces and cities, 1, Red river delta provinces and cities. Hanoi: Education Publishing House.
Woma, B. (2012). “The socio-political dimension of Dagara funeral ritual, music and dirge” Thesis. Indiana University August.
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.