The symbolical meaning of Macanan dance in Barongan Blora
(1) Institut Seni Indonesia Surakarta
Abstract
This study is aiming at finding out the symbolical meaning of Macanan dance in Barongan Blora. The method implied in the study was qualitative with ethnochoreology approach. Results indicated that Macanan dance is a typical dance immitating the movement of an animal which is a tiger, which is known also in Indonesia as ‘macan’. It also illustrates some movements which resemble the activity of a group of farmers. This study concluded that the movement of Macanan dance contained specific meanings; specifically representing and illustrating the life of Blora Regency’s agricultural community in Indonesia.
Keywords
Full Text:
PDFReferences
Bandem, I. M. (1996). Etnologi Tari Bali. Denpasar: Pustaka Budaya.
Cahyono, A. (2014). Pertunjukan Barongsai dalam Pendekatan Etnokoreologi. Mudra Jurnal Seni Budaya, 29(1), 1-10.
Mulyono, H. (2003). Tari Barongan Group Risang Guntur Seto di Kabupaten Blora. Skripsi. Surakarta: Institut Seni Indonesia Surakarta,.
Pramutomo. (2007). Enokoreologi Nusantara (batasan kajian, sistematika, dan aplikasi keilmuannya). Surakarta: Institut Seni Indonesia Press.
Slamet. (1999). Barongan Blora dalam Ritus Lamporan: Kelangsungan dan Perubahannya. Jurnal Sosiohumanika, 12(2), 131-140.
Slamet. (2003). Barongan Blora. Surakarta: Sekolah Tinggi Seni Indonesia Press.
Slamet. (2004). Barongan Blora dalam Kemasan Seni Wisata. Jurnal Imaji, 2(2), 167-182.
Smith, J. (1976). Komposisi Tari Sebuah Petunjuk Praktis Bagi Guru. Translated Ben Suharto. Yogyakarta: Ikalasti.
Soedarsono. (1976). Pengantar Pengetahuan Tari. Yogyakarta: ASTI.
Soedarsono. (1999). Seni Pertunjukan Indonesia dan Pariwisata. Bandung: Masyarakat Seni Pertunjukan Indonesia.
Spradley, J. P. (1983). Calture and Kognition: Rules, and Maps and Plans. USA: Chandler Publising Company.
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution 4.0 International License.