Embodying Space through Improvisation in Site-Specific Dance Performance

Authors

  • Nurulakmal Abdul Wahid Universiti Pendidikan Sultan Idris Author
  • Nur Nabila Michael Universiti Pendidikan Sultan Idris Author
  • Muhammad Fazli Taib Saearani Universiti Pendidikan Sultan Idris Author
  • Muhammad Faisal Ahmad Universiti Pendidikan Sultan Idris Author

DOI:

https://doi.org/10.15294/harmonia.v25i1.14728

Keywords:

embodying; space; improvisation; site-specific dance; environment

Abstract

Site-specific dance choreography develops as a direct reaction to a specific location’s unique physical, architectural, and cultural characteristics. Improvisation is significant in this context for enhancing the dancer’s bodily awareness of space. Previous studies have recognized the relationship between dancer and site; however, the role of improvisation in expressing the unique spatial characteristics of a performance site has not been adequately explored. This study investigates the role of improvisational techniques in enabling dancers to adapt, respond, and establish stronger connections with site-specific elements, including structural, environmental, historical, and emotional aspects. This research utilizes a qualitative methodology, incorporating descriptive analysis and in-depth interviews with five experienced, site-specific dance practitioners in Malaysia. The findings identify four key stages in which improvisation enhances spatial embodiment, clarifying the relationship between choreographers and performers with space as a dynamic and interactive element of their practice. This work contributes to the ongoing discussion on site-specific choreography by illustrating the evolving role of improvisation in enhancing the relationships between performers and their environments.

References

Assaf, N. M., & Selim, A. (2021). Audience/performer reaction: an investigation into audience/performer reciprocity via a touring site-specific performance in Lebanon. Research in Dance Education, 22(2), 130–149. https://doi.org/10.1080/14647893.2020.1746255

Barbour K, Hitchmough A. (2013). Experiencing affect through site-specific dance. Emotion, Space and Society. http://dx.doi.org/10.1016/j.emospa.2013.11.004

Edensor, T., & Bowdler, C. (2015). Site-specific dance: Revealing and contesting the ludic qualities, everyday rhythms, and embodied habits of place. Environment and Planning A, 47(3), 709–726. https://doi.org/10.1068/a140042p

Hunter, V. (2015). Moving sites: Transformation and re-location in site-specific dance performance. Moving Sites: Investigating Site-Specific Dance Performance, May, 459–475.

Hunter, V. (2011). Spatial translation and “presentness” in site-specific dance performance. New Theatre Quarterly, 27(1), 28–40. https://doi.org/10.1017/S0266464X11000030

Hunter, V. (2005). Embodying the site: The here and now in site-specific dance performance. New Theatre Quarterly, 21(4), 367–381. https://doi.org/10.1017/S0266464X05000230

Kloetzel, M. (2010). Site-specific dance in a corporate landscape. New Theatre Quarterly, 26(2), 133–144. https://doi.org/10.1017/S0266464X10000278

Kondratyeva S (2021) Dancing with Heritage: Site-Specific Dance and Performance in Historic Sites and Museums. The Garage Journal: Studies in Art, Museums & Culture, 03: 131–157. DOI: 10.35074/GJ.2021.82.48.008

Lefebvre, H. (1991). The Production of Space (D. Nicholson-Smith, Trans.). Oxford: Blackwell. (Original work published 1974)

Morejón, J. L. (2021). Dance improvisation research: embodied self-esteem and self-confidence through glass art. Research in Dance Education, 22(2), 174–189. https://doi.org/10.1080/14647893.2020.1746258

Mustafa, M., & Chin, R. (2019). Negotiating visuals: Roles of Images in a Site-specific Performance. Wacana Seni, 18, 47–52. https://doi.org/10.21315/ws2019.18.Supp.1.7

Schechner, R. (2013). Performance Studies: An Introduction (3rd ed.). New York: Routledge.

Stock, C. (2011). Creating new narratives through shared time and space: Performer/audience connections in multi-site dance events. In Time together: Viewing and reviewing contemporary dance practice: Refereed proceedings of the World Dance Alliance Global Summit 2010 (pp. 1–14). World Dance Alliance. http://eprints.qut.edu.au/46910/3/46910.pdf

Stock, C. F. (2015). Evoking poetics of memory through performing site: Naik Naik, a Malaysian Australian collaboration in the world heritage setting of Melaka. In C. Stock & A. Germain-Thomas (Eds.), Contemporising the past: Envisaging the future: Refereed proceedings of the World Dance Alliance Global Summit 2014 (pp. 1–14). World Dance Alliance

Wahid, N. A. (2020). Dancing in Place at Rimbun Dahan: A Place to Create a Site-Specific Choreography. International Journal of Academic Research in Business and Social Sciences, 10(2), 391–400. https://doi.org/10.6007/ijarbss/v10-i2/6937

Wahid1, N. A., Begoo, M., Becker2, A., & Mustafa3, M. (2020). Ruang Dan Memori Dalam Koreografi Site-Specific: Kajian Terhadap Karya City of Entertainment Oleh Lee Ren Xin Memory in Site-Specific Choreography: a Study on Intertainment By Lee Ren Xin. Jurnal Gendang Alam, 27(2020), 54–76

.Zeitner, D. (2023). Dancing between realities: Exploring the body in virtual dance improvisation. International Journal of Education & the Arts, 24(5). http://doi.org/10.26209/ijea24n5

Downloads

Published

2025-07-01

Article ID

14728

Issue

Section

Articles

How to Cite

Abdul Wahid, N., Michael, N. N. ., Saearani, M. F. T., & Ahmad, M. F. (2025). Embodying Space through Improvisation in Site-Specific Dance Performance. Harmonia: Journal of Arts Research and Education, 25(1), 188-197. https://doi.org/10.15294/harmonia.v25i1.14728