Representation and Ideology of Feminism in the Remake of the First Indonesian Heroine Character "Sri Asih"
DOI:
https://doi.org/10.15294/harmonia.v24i2.18531Keywords:
feminism; Jhon Fiske; gender studies; representation; Sri AsihAbstract
The figure of Sri Asih became a pioneer in the symbolism of women's strength free from the influence of marital status, which was a reaction to the strong patriarchal culture in Indonesia. The figure of Sri Asih was then remade by Studio Bumi Langit and shown in Indonesian cinemas in 2022. The figure of Sri Asih was chosen because she is the first superhero figure from Indonesia. The aspects studied are the elements that form an identity, such as the representation of beauty, characteristics, and the role of women that appear in the figure of Sri Asih. This study uses a descriptive qualitative method and John Fiske's code theory. The urgency of this study is to reveal how the figure of Sri Asih is able to reconstruct the values of women's identity in Indonesian society in the millennial era. The purpose is to explain what codes of reality, representation, and ideology exist in the figure of Sri Asih, and the research study results are the ideas for applying John Fiske's code theory to the figure of Sri Asih. In conclusion, the ideology of feminism in the character of Sri Asih is represented in the form of women's empowerment, gender equality, rejection of violence against women and the collapse of gender stereotypes.
References
Aurum, J. (2016). Hampir fotografi. Gramedia Pustaka Utama.
Bachtiar, H. W. (1997). Pengamatan Sebagai Suatu Metode Penelitian. In Koentjaraningrat (Ed.), Metode-Metode Penelitian Masyarakat (3rd ed., pp. 108–129). Gramedia Pustaka Utama.
Beasley, C. (1999). What is Feminism? An Introduction to Feminist Theory. SAGE.
Bourdieu, P. (1998). Masculine domination. Stanford University USA.
Fiske, J. (1996). The codes of television (2nd ed.). American Film Institute.
Fiske, J. (2002). Introduction to communication studies. Routledge.
Ida, R. (2014). Metode Penelitian: Studi Media dan Kajian Budaya. Kencana.
Indriyani, R., & Rakhmawati, Y. (2018). Representasi Gender Tokoh Diana Dalam Film Wonder Woman. Jurnal SEMIOTIKA, 12(2), 183–201. http://journal.ubm.ac.id/
Jane, M. R., & Kencana, W. H. (2021). Representasi Kesetaraan Gender Pada Film Live-Action “MULAN” Produksi Disney (Analisis Semiotika Perspektif Roland Barthes). IKON Jurnal Ilmu Komunikasi, XXVI(1), 64–82.
Kristanto, J. B. (1995). Katalog film Indonesia, 1926-1995. Penerbit PT Grafiasri Mukti bekerjasama dengan Badan Pertimbangan Perfilman ….
Kriyantono, R. (2014). Teknik praktis riset komunikasi. Prenada Media.
Multi, D. S., & Sarawak, E. (2016). Pendekatan Interdisiplin Dalam Kajian Kualitatif. (Kearifan Tempatan Warisan Kraf Buluh: Simbolisme Minda Dan Watak Dalam Sosio-Budaya Multi Etnik Sarawak). Ritme, 2(2), 57–66.
Murniati, A. N. P. (2004). Getar gender (K. Husna (ed.); 1st ed.). Indonesiatera dan IKAPI.
Murtono, T. (2010). KUASA CITRA : Westernisasi melaui iklan. ISI Press.
Nugroho, G. (2020). Era Emas Film Indonesia 1998-2019 : Memoar Garin Nugroho (Sony Triantoro (ed.); 2nd ed.). Warning Books.
Puspita, D. F. R. (2018). Analisis Semiotika John Fiske Mengenai Realitas Bias Gender Pada Iklan Kisah Ramadhan Line Versi Adzan Ayah. ProTVF, 2(2), 157–171.
Puspitawati, H. (2012). Gender dan Keluarga: Konsep dan Realita Indonesia. Pt Penerbit Ipb Press.
Rahardjo, M. (2011). Metode pengumpulan data penelitian kualitatif.
Rokhmansyah, A. (2016). Pengantar gender dan feminisme: Pemahaman awal kritik sastra feminisme. Garudhawaca.
Setiawan, H., Aziz, A., & Kurniadi, D. (2020). Ideologi Patriarki dalam Film. Jurnal Semiotika, 06(02), 251–262. http://publikasi.dinus.ac.id/index.php/andharupa
Setyanto, D. W., & Haryadi, T. (2020). Representasi Citra Perempuan Ideal Dalam Karakter Black Widow. Desain Komunikasi Visual, Manajemen Desain Dan Periklanan (Demandia), 5(2), 263. https://doi.org/10.25124/demandia.v5i2.2775
Setyanto, D. W., Soewarlan, S., & Tinarbuko, S. (2019a). Reading the Message of Feminism in Wonder Woman Film. Proceedings of the 1st Seminar and Workshop on Research Design for Education, Social Science, Arts, and Humanities, SEWORD FRESSH 2019, April 27 2019, Surakarta, Central Java, Indonesia. https://doi.org/10.4108/eai.27-4-2019.2286824
Setyanto, D. W., Soewarlan, S., & Tinarbuko, S. (2019b). Representation of Posfeminism in Indonesian Heroine Character : Case Study of Valentine Film. 2nd International Seminar on Innovation and Creativity of Art (ISICA 2019), 14(ISICA#2), 47–56. https://doi.org///doi.org/10.33153/dewaruci.v14i2.2797
Setyanto, D. W., Soewarlan, S., & Tinarbuko, S. (2021). KAJIAN PSIKOANALISIS PADA KARAKTER HEROINE DI FILM ZACK SNYDER’S JUSTICE LEAGUE (2021). ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia, 07(02), 317–331.
Soewondo, N. (1955). Kedudukan Wanita Indonesia Dalam Hukum dan Masjarakat. Timun Mas.
Toni, A. (2011). Komunikasi Identitas Pariwisata Bangsa Dalam Film “Eat, Pray, Love.” Konferensi Nasional Komunikasi “Membumikan Ilmu Komunikasi Di Indonesia,” 257–271.
Treichler, E. B. H., Palmer, B. W., Wu, T.-C., Thomas, M. L., Tu, X. M., Daly, R., Lee, E. E., & Jeste, D. V. (2021). Women and Men Differ in Relative Strengths in Wisdom Profiles: A Study of 659 Adults Across the Lifespan. Frontiers in Psychology, 12.
Wolf, N. (2013). The beauty myth: How images of beauty are used against women. Random House.
